sound.and.vision

Recordings sound.and.vision tagged as “opera”

42 recordings found

'Qual nave smarrita' from 'Radamisto' by Ralf Popken (countertenor and chorus master), Freiburger Barockorchester (Freiburg Baroque Orchestra), Nicholas McGegan
“Finch' han dal vino” (Don Giovanni) by Sir Thomas Allen (baritone), Scottish Chamber Orchestra, Sir Richard Armstrong (conductor)
A vuchella by Robert Meadmore
Aida: Atto II, scena 2. “Gloria all'Egitto” & Grand March by National Symphony Orchestra of Ireland, Rico Saccani (conductor)
An Chloé by Barbara Bonney (soprano), Geoffrey Parsons (pianist)
Apres un reve by Robert Meadmore
Bailero by Robert Meadmore
Barber of Seville: "Largo al factotum" by Dmitri Hvorostovsky (Russian operatic baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Ion Marin (conductor)
Beau soir by Robert Meadmore
Boris Godunov: Act II. Monologue by Boris Christoff (Bulgarian bass), Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens (Belgian-born French conductor)
Care selve by Robert Meadmore
Carmen : Acte II. « La fleur que tu m’avais jetée » by Gilbert Py (tenor), Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra), Alain Lombard (conductor)
Chants d’Auvergne: Baïlèro by Victoria de los Ángeles (Spanish soprano), Orchestre des Concerts Lamoureux (Lamoureux Orchestra), Jean‐Pierre Jacquillat (conductor)
Che faro senza euridice by Robert Meadmore
Così fan tutte, K. 588: Atto I. “Soave sia il vento” by Jules Bastin (Belgian 20th century operatic bass), Frederica von Stade (mezzo-soprano), Kiri Te Kanawa (soprano), Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra), Alain Lombard (conductor)
Der Freischütz: Act II. Wie nahte mir der Schlummer by Petra Maria Schnitzer (soprano), WDR Rundfunkchor Köln, Capella Coloniensis des WDR, Bruno Weil (conductor)
Dido and Aeneas Z. 626: Act III. “Thy hand, Belinda” – “When I am laid in earth” (Dido) by Lorraine Hunt (American soprano / mezzo), Philharmonia Baroque Orchestra, Nicholas McGegan
Die Meistersinger von Nürnberg: Act III, Scene 2. "'Morgendlich leuchtend in rosigem Schein...'" by Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Wolfgang Sawallisch (conductor)
Eugene Onegin, op. 24: Act 2. Pour moi ce jour est tout mystère by Enrico Caruso (tenor)
Il barbiere di Siviglia: Atto I, scena 1. Cavatina: “Largo al factotum della città” (Figaro) by Sesto Bruscantini (bass-baritone), Royal Philharmonic Orchestra, Vittorio Gui (conductor and composer)
In Haven by Robert Meadmore
L'elisir d'amore: Atto II. “Una furtiva lagrima" (Nemorino) by Roberto Alagna (tenor), English Chamber Orchestra, Marcello Viotti (conductor)
L'Orfeo: "Lasciate i monti" by Concerto Vocale (Belgian baroque/early music ensemble), René Jacobs (conductor)
L’incoronazione di Poppea: Atto III, scena 8. “Pur ti miro” by Arleen Augér (soprano), Della Jones (mezzo-soprano), City of London Baroque Sinfonia (chamber orchestra), Richard Hickox (conductor)
La bohème: “Sono andati?” by Richard Leech (operatic tenor), Kiri Te Kanawa (soprano), London Symphony Orchestra, Kent Nagano (conductor)
La bohème: Atto I. “Che gelida manina” by José Carreras (Spanish tenor), Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis (English conductor)
Le nozze di Figaro, K. 492: Act 1 "Non più andrai" (Figaro) by Anton Scharinger (bass-baritone), Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Nikolaus Harnoncourt (conductor)
Le nozze di Figaro: Aria: 'Non so piu cosa faccio' by Cecilia Bartoli (mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Daniel Barenboim (pianist and conductor)
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) by Angela Gheorghiu (Romanian soprano), London Symphony Orchestra, Evelino Pidò (conductor)
Madama Butterfly: Act I. “Vogliatemi bene” by Miriam Gauci (soprano), Yordy Ramiro (tenor), Czecho-Slovak Radio Symphony Orchestra (Bratislava) (Slovak Radio Symphony Orchestra), Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
Mireille: Mon cœur est plein d’un noir souci by Roberto Alagna (tenor), Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy (conductor)
O del mio dolce ardor by Robert Meadmore
Orfeo & Euridice: Atto II, Scena I. Ballo e Aria “Deh! Placatevi con me” (Coro) by Bernarda Fink (mezzo-soprano), RIAS Kammerchor (German chamber choir), Freiburger Barockorchester (Freiburg Baroque Orchestra), René Jacobs (conductor)
Orfeo et Euridice: Che Faro Senza Euridice by Dame Janet Baker (mezzo‐soprano and alto), Glyndebourne Chorus, London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Raymond Leppard (conductor and harpsichordist)
Otello: Act III. Scene 2. Love Duet by Rome Opera Chorus, Leonie Rysanek (soprano), Jon Vickers (tenor), Rome Opera Orchestra, Tullio Serafin (conductor)
Samson et Dalila : « Mon cœur s'ouvre à ta voix » by Olga Borodina (mezzo-soprano), José Cura (tenor), London Symphony Choir, London Symphony Orchestra, Sir Colin Davis (English conductor)
September Song by Robert Meadmore
Simple Song by Robert Meadmore
Stranger in Paradise by Robert Meadmore
Torna a Surriento (Neapolitan Song) by Luciano Pavarotti (tenor), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Giancarlo Chiaramello
Tosca: “Vissi d'arte” (Tosca) by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
Vesperae solennes de confessore, K. 339: V. "Laudate dominum" by Elizabeth Hellenberg (soprano vocalist), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Alfred Scholz