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| 1964-07 – 1964-08 | Pelléas et Mélisande: Acte I, Scène 2. “Qu'en dites-vous? / Je n'en dis rien” … “C'est Pelléas” (Geneviève, Arkel, Pelléas) | mezzo-soprano vocals [Geneviève] | Guus Hœkman, Camille Maurane, Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | 5:16 |
| 1964-07 – 1964-08 | Pelléas et Mélisande: Acte I, Scène 2. “Voici ce qu'il écrit à son frère Pelléas” (Geneviève) | mezzo-soprano vocals [Geneviève] | Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | 2:53 |
| 1964-07 – 1964-08 | Pelléas et Mélisande: Acte I, Scène 3. Interlude - “Il fait sombre dans les jardins” … “Hoé! Hisse hoé!” (Mélisande, Geneviève, Pelléas, voix) | mezzo-soprano vocals [Geneviève] | Camille Maurane, Erna Spoorenberg, Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | 8:11 |
| 1966-08-25 – 1966-12-30 | Die Walküre: Aufzug II, Szene I. „Deiner ew’gen Gattin heilige Ehre“ (Fricka, Wotan) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 3:44 |
| 1966-08-25 – 1966-12-30 | Die Walküre: Aufzug II, Szene I. „Der alte Sturm, die alte Müh’!“ (Wotan, Fricka) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 4:56 |
| 1966-08-25 – 1966-12-30 | Die Walküre: Aufzug II, Szene I. „So ist es denn aus mit den ewigen Göttern“ (Fricka, Wotan) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 9:18 |
| 1966-08-25 – 1966-12-30 | Die Walküre: Aufzug II, Szene I. „Was verlangst du?“ (Wotan, Fricka, Brünnhilde) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 2:28 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Du da, folge uns!“ (Fafner, Freia, Froh, Donner, Fasolt, Wotan, Fricka) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 1:36 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Ein Runenzauber zwingt das Gold zum Reif“ (Loge, Donner, Wotan, Froh, Fricka, Fafner) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 3:11 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Endlich, Loge! Eiltest du so“ (Wotan, Loge, Fricka, Froh, Donner, Fafner, Fasolt) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 3:33 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Immer ist Undank Loges Lohn!“ (Loge, Wotan, Fasolt, Fafner, Fricka) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 6:57 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Schwester! Brüder! Rettet! helft!“ (Freia, Froh, Donner, Loge, Fricka) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 4:36 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „So schirme sie jetzt“ (Fricka, Freia, Wotan) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 1:44 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Wotan, Gemahl, unsel’ger Mann!“ (Fricka, Wotan, Loge, Donner, Froh) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 1:56 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Wotan! Gemahl! erwache!“ (Fricka, Wotan) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 6:26 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Gepflanzt sind die Pfähle nach Pfandes Maß“ (Fafner, Wotan, Loge, Froh, Fricka, Donner, Fasolt, Freia) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 5:55 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Lauschtest du seinem Liebesgruß?“ (Loge, Wotan, Froh, Donner, Fricka) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 3:07 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Lieblichste Schwester, süßeste Lust!“ (Fricka, Fasolt, Wotan) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 2:46 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Nun blinzle nach Freias Blick“ (Fafner, Wotan, Loge, Fricka, Donner) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 3:57 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „So grüß’ ich die Burg“ (Wotan, Fricka, Loge) | mezzo-soprano vocals [Fricka] | Dietrich Fischer‐Dieskau, Josephine Veasey, Gerhard Stolze, Berliner Philharmoniker, Herbert von Karajan | 2:06 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Soll ich sorgen und fürchten“ (Wotan, Fricka, Froh, Donner, Freia) | mezzo-soprano vocals | Berliner Philharmoniker, Herbert von Karajan | 2:27 |
| 1967-12 | Das Rheingold: "Zur Burg führt die Brücke" - "Abendlich strahlt der Sonne Auge" (Froh / Wotan) | mezzo-soprano vocals [Fricka] | Richard Wagner | 9:00 |
| 1969 | Les Troyens, Nr. 48: "Adieu fière cité" | mezzo-soprano vocals | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:30 |
| 1970-02-25 | Messa da Requiem: I. Requiem & Kyrie (chœur et solistes) | mezzo-soprano vocals and solo | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 10:42 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Lacrymosa, dies illa” (solistes, chœur) | mezzo-soprano vocals and solo | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 7:04 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Liber scriptus proferetur” (mezzo-soprano, chœur) | mezzo-soprano vocals and solo | Josephine Veasey, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 5:08 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Quid sum miser” (soprano, mezzo-soprano, tenor) | mezzo-soprano vocals and solo | Martina Arroyo, Josephine Veasey, Plácido Domingo, London Symphony Orchestra, Leonard Bernstein | 4:00 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Recordare, Jesus pie” (mezzo-soprano, soprano) | mezzo-soprano vocals and solo | Martina Arroyo, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 4:34 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Rex tremendae majestatis” (chœur, solistes) | mezzo-soprano vocals and solo | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 4:05 |
| 1970-02-25 | Messa da Requiem: III. Offertorio (solistes) | mezzo-soprano vocals and solo | Martina Arroyo, Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 11:44 |
| 1970-02-25 | Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chœur) | mezzo-soprano vocals and solo | Martina Arroyo, Josephine Veasey, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 5:55 |
| 1970-02-25 | Messa da Requiem: VI. Lux aeterna (mezzo-soprano, ténor, basse) | mezzo-soprano vocals and solo | Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 6:35 |
| La Damnation de Faust: D'amour l'ardente flamme | mezzo-soprano vocals | Nicolai Gedda, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | 8:39 |
| La Damnation de Faust: Merci, doux crépuscule! | mezzo-soprano vocals | Nicolai Gedda, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | 4:49 |
| Loriot; Das Rheingold: »Folge mir, Frau! In Walhall wohne mit mir.« (4. Szene; Wotan, Fricka); Loriot | | Dietrich Fischer‐Dieskau, Loriot, Josephine Veasey, Berliner Philharmoniker, Herbert von Karajan | 2:16 |
| Messa da Requiem: II. Dies Irae “Liber scriptus proferetur” (mezzo-soprano, chœur) | mezzo-soprano vocals | Josephine Veasey, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 5:08 |
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