| 1941: The March | Dallas Winds, Jerry Junkin | | | 4:29 | instrument |
| Aimum | Béla Fleck and the Flecktones | | | 5:51 | instrument |
| Angels Crying | Atargatis | | | 5:13 | instrument |
| Ascèses (n°IV) | Toon Fret | | | 4:06 | instrument |
| Ay Ne Ne | Barbara Buchholz | | | 2:33 | instrument |
| Azoy Lang | Massel-Tov | | | 4:30 | instrument |
| Back to MI6 | Hans Zimmer | | | 1:30 | instrument |
| Barriers of Time | Tony Levin / Paul Dunmall / Ray Warleigh / Evan Parker | | | 9:18 | instrument |
| Been Here Before | Tony Levin / Paul Dunmall / Ray Warleigh / Evan Parker | | | 13:41 | instrument |
| Big Man, Little Dignity | Paramore | | 3.1 | 4:20 | instrument |
| Bill's Hit Tune | Bill Evans | | | 10:52 | instrument |
| Black Humor | 中村巴奈重 | | | 2:04 | instrument |
| Blue Nile | Alice Coltrane | | 4 | 7:04 | instrument (as “right channel”), instrument (as “left channel”) |
| California Dreamin’ | George Benson | | 4 | 7:19 | instrument |
| California Dreamin’ | The Mamas and the Papas | | 4.4 | 2:40 | instrument |
| Can You Be True? | Elvis Costello | | 3.5 | 3:46 | instrument |
| Catastrophe | 中村巴奈重 | | | 2:29 | instrument |
| Chameleon | Herbie Hancock | | 5 | 15:45 | instrument |
| Charly | Stephan Eicher | | | 4:17 | instrument |
| Chega de saudade | Stan Getz with The Gary McFarland Orchestra | | | 4:13 | instrument |
| Chim Chim Cheree | Wes Montgomery | | | 4:53 | instrument |
| Cinq Ascèses pour flûte alto: IV. Le dieu a créé les rêves... | Pierre-Yves Artaud | | | 3:28 | instrument |
| Circle Dance | Bonnie Raitt | | 3 | 4:11 | instrument |
| Close Encounters of the Third Kind: Excerpts | Dallas Winds, Jerry Junkin | | | 7:54 | instrument |
| Comrade Conrad | Bill Evans | | | 10:09 | instrument |
| Conversations for Flute, Oboe, Violin, Viola and Cello: no. 1. The Committee Meeting: Moderato | Maggini Quartet, Nicholas Daniel, Michael Cox | | | 1:17 | instrument |
| Conversations for Flute, Oboe, Violin, Viola and Cello: no. 2. In the Wood: Adagio | Maggini Quartet, Nicholas Daniel, Michael Cox | | | 3:29 | instrument |
| Conversations for Flute, Oboe, Violin, Viola and Cello: no. 3. In the Ballroom: Scherzando | Maggini Quartet, Nicholas Daniel, Michael Cox | | | 2:38 | instrument |
| Conversations for Flute, Oboe, Violin, Viola and Cello: no. 4. Soliloquy: Andante tranquillo e molto rubato | Maggini Quartet, Nicholas Daniel, Michael Cox | | | 2:45 | instrument |
| Conversations for Flute, Oboe, Violin, Viola and Cello: no. 5. In the Tube at Oxford Circus: Allegro energico | Maggini Quartet, Nicholas Daniel, Michael Cox | | | 5:06 | instrument |
| Could I Be Dreamin’ | The Pointer Sisters | | | 3:31 | instrument |
| Coyote | Barbara Buchholz | | | 1:45 | instrument |
| Cuba Chase | Hans Zimmer | | | 5:41 | instrument |
| Curved Air | David Crosby | | | 4:45 | instrument |
| Danza alta, sobre la Spagna | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 3:22 | instrument |
| Dark Age, Light Age | Tony Levin / Paul Dunmall / Ray Warleigh / Evan Parker | | | 12:44 | instrument |
| Day Dreaming | Aretha Franklin | | 4.5 | 4:00 | instrument |
| Dream Sequence | Paz | | | 8:54 | instrument |
| E.T. the Extra‐Terrestrial: Adventures on Earth | Dallas Winds, Jerry Junkin | | | 10:41 | instrument |
| Eclipse | Barbara Buchholz | | | 3:42 | instrument |
| El mar | George Benson | | | 10:50 | instrument |
| Electra | Phoebe Snow | | | 3:54 | instrument |
| End of a Love Affair | Wes Montgomery | | | 3:43 | instrument |
| Enter My Dream | Kenny Loggins | | | 5:20 | instrument |
| Fall | Michael Flügel Quartet | | | ?:?? | instrument |
| Feel in Bones | 中村巴奈重 | | | 1:28 | instrument |
| Figure 8 | Paramore | | 3.25 | 3:25 | instrument |
| Final Ascent | Hans Zimmer | | | 7:25 | instrument |
| Five | Bill Evans | | | 9:14 | instrument |
| From the First | Tony Levin / Paul Dunmall / Ray Warleigh / Evan Parker | | | 5:21 | instrument |
| Gagliarda quarta a 5 alla Spagnola | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 2:39 | instrument |
| Gearing Up | Hans Zimmer | | | 2:53 | instrument |
| God Give Me Strength | Elvis Costello with Burt Bacharach | | 3 | 6:08 | instrument |
| Golden Earrings | Wes Montgomery | | | 5:16 | instrument |
| Good to Have You Back | Hans Zimmer | | | 1:17 | instrument |
| Gun Barrel | Hans Zimmer | | | 0:56 | instrument |
| Habtap | Barbara Buchholz | | | 3:06 | instrument |
| Healer of Our Every Ill | Marty Haugen | | | 2:43 | instrument |
| Hello Goodbye | Milton Nascimento | | | 4:30 | instrument |
| Hidden Melody | Barbara Buchholz | | | 4:56 | instrument |
| Home | Hans Zimmer | | | 3:45 | instrument |
| Hunting | Barbara Buchholz | | | 4:13 | instrument |
| I Loves You, Porgy | Miles Davis | | 4.35 | 3:43 | instrument |
| I’ll Be Right Back | Hans Zimmer | | | 5:00 | instrument |
| If Six Was Nine | Thärichen’s Hendrixperience Orchestra | | | 4:05 | instrument |
| In a Moment of Clarity | Barry Adamson | | | 4:14 | instrument |
| Into the Fire | Nick Cave & Debbie Harry | | | 3:15 | instrument |
| Intro: Windmill Isle - Night | Fumie Kumatani | | | 0:08 | instrument |
| Introductions | Herbie Hancock | | | 1:47 | instrument |
| It Was a Very Good Year | Wes Montgomery | | | 3:43 | instrument |
| Jenny | Paul Winter Consort | | | 2:37 | instrument |
| JFK: Theme | Dallas Winds, Jerry Junkin | | | 5:09 | instrument |
| Just Like the Blues | Maura O’Connell | | | 3:38 | instrument (as “alto flutes”) |
| Klarnet Karla | Barbara Buchholz | | | 4:28 | instrument |
| la Spagna a 5 | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 3:32 | instrument |
| Laura | Kevin Mahogany | | | 4:50 | instrument |
| Laurie | Bill Evans | | | 8:23 | instrument |
| Le Cimetière des éléphants | Eddy Mitchell avec Véronique Sanson | | | 4:18 | instrument |
| Le Colloque des deux perruches: I. Allegrissimo | Thies Roorda, Rien de Reede | | | 1:36 | instrument |
| Le Colloque des deux perruches: II. Presto | Thies Roorda, Rien de Reede | | | 1:34 | instrument |
| Le Colloque des deux perruches: III. Larghetto | Thies Roorda, Rien de Reede | | | 3:06 | instrument |
| Le Colloque des deux perruches: IV. Scherzando | Thies Roorda, Rien de Reede | | | 3:36 | instrument |
| Le Colloque des deux perruches: V. Larghetto | Thies Roorda, Rien de Reede | | | 5:04 | instrument |
| Le Colloque des deux perruches: VI. Allegro | Thies Roorda, Rien de Reede | | | 3:23 | instrument |
| Le Tombeau De Couperin | Paul Winter Consort | | | 2:40 | instrument |
| Let me see | 中村巴奈重 | | | 1:47 | instrument |
| Liar | Paramore | | 2.9 | 4:22 | instrument |
| Life of Dreams | Tony Levin / Paul Dunmall / Ray Warleigh / Evan Parker | | | 5:11 | instrument |
| Lincoln: “With Malice Toward None” | Dallas Winds, Jerry Junkin | | | 4:18 | instrument |
| Little Train | George Benson | | | 5:48 | instrument |
| Little Wing | Thärichen’s Hendrixperience Orchestra | | | 6:35 | instrument |
| Love Makes a Woman | Phoebe Snow | | | 3:23 | instrument |
| Lovely to See You Again | Hans Zimmer | | | 1:26 | instrument |
| Lullaby | Barbara Buchholz | | | 2:10 | instrument |
| Majesty of Life | Phoebe Snow | | | 3:37 | instrument |
| Make Me an Instrument of Your Peace | Marty Haugen | | | 3:23 | instrument |
| Manha de Carnaval (Morning of the Carnival) | Stan Getz acc. by The Gary McFarland Orchestra with Jim Hall | | | 5:50 | instrument |
| Matera | Hans Zimmer | | | 1:59 | instrument |
| Message From an Old Friend | Hans Zimmer | | | 6:35 | instrument |
| Morning Prayers | Vasiko Tevdorashvili, Natalia Pschenitschnikova, Stuttgarter Kammerorchester, Dennis Russell Davies | | | 22:52 | instrument |