The Sampler

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1Symphonie Nr. 5: "Allegro Con Brio"
orchestra:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:19
2Symphonie Nr. 40: "Molto Allegro"
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Richard Edlinger (conductor and composer) and Alfred Scholz
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart6:36
3Die Vier Jahreszeiten = The Four Seasons: "Der Frühling" = "The Spring" – Allegro
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
partial recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. I/22) and Ryom-Verzeichnis (number: RV 269)
part of:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
part of:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:30
4Liebestraum
piano:
Hélène Gàl (pianist, an Alfred Scholz pseudonym)
recording of:
Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”, S. 541 Nr. 3 (catch-all for arrangements)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
Franz Liszt4:25
5Ungarischer Tanz Nr. 5 G-Moll = Hungarian Dance No. 5 In G Minor: "Allegro"
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha (Prague Festival Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde (Dresden Philharmonic Orchestra) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz and Pavel Urbanek (an Alfred Scholz pseudonym)
performer:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
recording of:
Hungarian Dance no. 5 (catch-all for arrangements)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
arrangement of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (Hungarian Dance No. 5, orch. Schmeling)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
recording of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
part of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1
Johannes Brahms2:20
6Walzer Nr. 6 Op. 64 "Minutenwalzer" = "Minute Waltz"
piano:
Hélène Gàl (pianist, an Alfred Scholz pseudonym) and Peter Schmalfuss (pianist)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Fryderyk Chopin1:48
7Aida: "Triumphmarsch"
choir vocals:
Chor der Staatsoper München (Alfred Scholz related)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi5:05
8Mondscheinsonate: "Adagio Sostenuto"Ludwig van Beethoven6:01
9Symphony Nr. 41 (Jupiter-Symphonie): "Menuetto"
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Richard Edlinger (conductor and composer) and Alfred Scholz
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart4:48
10Forellenquintett = The Trout: "Thema Con Variazioni"
instruments:
Wiener Klavierquintett
piano:
Hugo Steurer (classical pianist)
strings:
Quintetto Caspar da Salo (string quartet, Alfred Scholz related)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto
composer:
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert7:33
11Ein Sommernachtstraum = A Midsummer Night's Dream: "Hochzeitsmarsch" = "Wedding March"
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:48
12Nußknacker-Suite = The Nutcracker: "Blumenwalzer" = "Flower Waltz"
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
included in:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:04
13Brandenburgisches Konzert Nr. 3: "Allegro Moderato"
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Collegium Aureum, Hamburger Symphoniker, Members of the Philharmonia Slavonia (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Gabor Ötvös and Rudolf Pribil (pseudonym for Alfred Scholz)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:37
14Carmen: "Les Toreadors"
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic), Orchester der Zagreber Oper (Alfred Scholz related), Orchestre radio symphonique de Paris, Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, Jovan Šajnović (conductor, Alfred Scholz related), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:14
15Nabucco: "Gefangenenchor" = "The Prisoners' Choir"
choir vocals:
Rundfunkchor Ljublijana (RTV Slovenia Chamber Choir)
orchestra:
Radio Symphonie Orchester Ljublijana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (Alfred Scholz pseudonym)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:28

Credits

Release

part of:Vienna Master Series (PILZ) (order: 26)
Discogs:https://www.discogs.com/release/28870333 [info]