Living Stereo: 60 CD Collection Vol. 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Beethoven: Piano Concerto No. 1 – Arthur Rubinstein / Josef Krips
2CD: Beethoven: Piano Concerto No. 2 – Arthur Rubinstein / Josef Krips
3CD: Beethoven: Piano Concerto No. 3 – Arthur Rubinstein / Josef Krips
4CD: Beethoven: Piano Concerto No. 4 – Arthur Rubinstein / Josef Krips
5CD: Beethoven: Piano Concerto No. 5 “Emperor” – Arthur Rubinstein / Josef Krips
6CD: Strauss: Burleske • Rachmaninoff: Piano Concerto No. 1 – Byron Janis / Fritz Reiner
7CD: Tchaikovsky: Symphony No. 6 “Pathétique” – Fritz Reiner
8CD: Tchaikovsky: Symphony No. 5 – Pierre Monteux
9CD: Hovhaness: Mysterious Mountain • Stravinsky: The Fairy’s Kiss – Fritz Reiner
10CD: Brahms: Piano Concerto No. 1 – Gary Graffman /Charles Munch
11CD: Mussorgsky: Pictures at an Exhibition • Liszt: Paraphrase de Concert Sur Rigoletto – Byron Janis
12CD: Rossini: Overtures – Fritz Reiner
13CD: Tchaikovsky: The Nutcracker – Fritz Reiner
14CD: Beethoven: Appassionata • Sonata in D – Vladimir Horowitz
15CD: Tchaikovsky: Symphony No. 4 – Pierre Monteux
16CD: Mahler: Lieder Eines Fahrenden Gesellen • Kindertotenlieder – Charles Munch / Maureen Forrester
17CD: Beethoven: Sonata No. 9 “Kreutzer ” No. 5 “Spring” – Arthur Rubinstein / Henryk Szeryng
18CD: Prokofieff: Alexander Nevsky – Fritz Reiner
19CD: Khachaturian: Masquerade Suite • Kabalevsky: The Comedians
20CD: Copland: Appalachian Spring • the Tender Land Suite – Aaron Copland
21CD: Bizet: Carmen for Orchestra – Morton Gould
22CD: Wagner: Reiner Conducts Wagner – Fritz Reiner
23CD: Liszt: The Virtuoso Liszt – Gary Graffman
24CD: Brahms: Piano Concerto No. 2 – Sviatoslav Richter / Erich Leinsdorf
25CD: Giuliani / Arnold: Guitar Concertos – Julian Bream
26CD: Schubert: Piano Sonata in D major – Emil Gileles
27CD: Beethoven: Serenade Op. 8 • Kodaly: Duo For Violin And Cello – Heifetz / Primrose / Piatigorsky
28CD: He Golden Age of English Lute Music – Julian Bream
29CD: Beethoven: Trio in D • Bach: Three Sinfonias • Schubert: Trio No. 2 – Heifetz / Primrose / Piatigrosky
30CD: Grieg: Piano Concerto – Arthur Rubinstein
31CD: Chopin: My Favorite Chopin – Van Cliburn
32CD: Saint‐Saëns: Carnival Of The Animals • Britten: The Young Person’s Guide To The Orchestra – Arthur Fiedler
33CD: Prokofiev: Love For Three Oranges • Chopin: Les Syphides – Arthur Fiedler
34CD: Dvořák: Symphony No. 4 (aka No. 8) – Charles Munch
35CD: Mahler: Symphony No. 1 – Erich Leinsdorf
36CD: Debussy: Afternoon of a Faun • Nuages • Fêtes • Printemps
37CD: Puccini: Tosca – Zlinka Milanov / Jussi Bjoerling / Leonard Warren / Erich Leinsdorf
38CD: Puccini: Tosca – Zlinka Milanov / Jussi Bjoerling / Leonard Warren / Erich Leinsdorf
39CD: Puccini: Tosca – Zlinka Milanov / Jussi Bjoerling / Leonard Warren / Erich Leinsdorf
40CD: Beethoven: Symphonies Nos. 1 & 9 – Phyllis Curtin / Florence Kopleff / John McCullum / Donald Gramm / Fritz Reiner
41CD: Beethoven: Symphonies Nos. 1 & 9 – Phyllis Curtin / Florence Kopleff / John McCullum / Donald Gramm / Fritz Reiner
42CD: Berlioz: Romeo and Juliet – Rosalind Elias / Cesare Valletti / Giorgio Tozzi / Charles Munch
43CD: Berlioz: Romeo and Juliet – Rosalind Elias / Cesare Valletti / Giorgio Tozzi / Charles Munch
44CD: Donizetti: Lucia di Lammermoor – Roberta Peters / Jan Peerce / Giorgio Tozzi / Philip Maero / Erich Leinsdorf
45CD: Donizetti: Lucia di Lammermoor – Roberta Peters / Jan Peerce / Giorgio Tozzi / Philip Maero / Erich Leinsdorf
46CD: Donizetti: Lucia di Lammermoor – Roberta Peters / Jan Peerce / Giorgio Tozzi / Philip Maero / Erich Leinsdorf
47CD: Rossini: The Barber of Seville – Robert Merrill / Roberta Peters / Giorgio Tozzi / Fernando Corena / Erich Leinsdorf
48CD: Rossini: The Barber of Seville – Robert Merrill / Roberta Peters / Giorgio Tozzi / Fernando Corena / Erich Leinsdorf
49CD: Rossini: The Barber of Seville – Robert Merrill / Roberta Peters / Giorgio Tozzi / Fernando Corena / Erich Leinsdorf
50CD: Rossini: The Barber of Seville – Robert Merrill / Roberta Peters / Giorgio Tozzi / Fernando Corena / Erich Leinsdorf
51CD: Verdi: Otello – Jon Vickers / Leonie Rysanek / Tito Gobbi / Tullio Serafin
52CD: Verdi: Otello – Jon Vickers / Leonie Rysanek / Tito Gobbi / Tullio Serafin
53CD: Verdi: Otello – Jon Vickers / Leonie Rysanek / Tito Gobbi / Tullio Serafin
54CD: Bach: Mass B Minor – The Robert Shaw Chorale and Orchestra
55CD: Bach: Mass B Minor – The Robert Shaw Chorale and Orchestra
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Gloria: Qui Tollis Peccata Mundi
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings)
producer:
Daniel Slick (producer)
choir vocals:
Robert Shaw Chorale (in 1960-06)
orchestra:
Robert Shaw Orchestra (in 1960-06)
conductor:
Robert Shaw (conductor) (in 1960-06)
recorded at:
Manhattan Center in Midtown Manhattan (in 1960-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1960-06)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach; Robert Shaw4:17
2Mass in B minor, BWV 232: Gloria: Qui Sedes Ad Dextram Patris
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings)
producer:
Daniel Slick (producer)
alto vocals:
Florence Kopleff (in 1960-06)
orchestra:
Robert Shaw Orchestra (in 1960-06)
conductor:
Robert Shaw (conductor) (in 1960-06)
recorded at:
Manhattan Center in Midtown Manhattan (in 1960-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1960-06)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach; Robert Shaw4:54
3Mass in B minor, BWV 232: Gloria: Quoniam Tu Solus Sanctus
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings)
producer:
Daniel Slick (producer)
bass vocals:
Ara Berberian (American bass) (in 1960-06)
orchestra:
Robert Shaw Orchestra (in 1960-06)
conductor:
Robert Shaw (conductor) (in 1960-06)
recorded at:
Manhattan Center in Midtown Manhattan (in 1960-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1960-06)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach; Robert Shaw5:49
4Mass in B minor, BWV 232: Gloria: Cum Sancto Spiritu in Gloria
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings)
producer:
Daniel Slick (producer)
choir vocals:
Robert Shaw Chorale (in 1960-06)
orchestra:
Robert Shaw Orchestra (in 1960-06)
conductor:
Robert Shaw (conductor) (in 1960-06)
recorded at:
Manhattan Center in Midtown Manhattan (in 1960-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1960-06)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach; Robert Shaw4:11
5Mass in B minor, BWV 232: Credo: Credo in Unum Deum
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings)
producer:
Daniel Slick (producer)
choir vocals:
Robert Shaw Chorale (in 1960-06)
orchestra:
Robert Shaw Orchestra (in 1960-06)
conductor:
Robert Shaw (conductor) (in 1960-06)
recorded at:
Manhattan Center in Midtown Manhattan (in 1960-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1960-06)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach; Robert Shaw2:29
6Mass in B minor, BWV 232: Credo: Patrem Omnipotentem
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings)
producer:
Daniel Slick (producer)
choir vocals:
Robert Shaw Chorale (in 1960-06)
orchestra:
Robert Shaw Orchestra (in 1960-06)
conductor:
Robert Shaw (conductor) (in 1960-06)
recorded at:
Manhattan Center in Midtown Manhattan (in 1960-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1960-06)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach; Robert Shaw2:13
7Mass in B minor, BWV 232: Credo: Et in Unum Dominum
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings)
producer:
Daniel Slick (producer)
alto vocals:
Florence Kopleff (in 1960-06)
soprano vocals [Soprano I]:
Saramae Endich (soprano) (in 1960-06)
orchestra:
Robert Shaw Orchestra (in 1960-06)
conductor:
Robert Shaw (conductor) (in 1960-06)
recorded at:
Manhattan Center in Midtown Manhattan (in 1960-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1960-06)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach; Robert Shaw5:50
8Mass in B minor, BWV 232: Credo: Crucifixus
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings)
producer:
Daniel Slick (producer)
choir vocals:
Robert Shaw Chorale (in 1960-06)
orchestra:
Robert Shaw Orchestra (in 1960-06)
conductor:
Robert Shaw (conductor) (in 1960-06)
recorded at:
Manhattan Center in Midtown Manhattan (in 1960-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1960-06)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach; Robert Shaw4:01
9Mass in B minor, BWV 232: Credo: Et Incarnates Est
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings)
producer:
Daniel Slick (producer)
choir vocals:
Robert Shaw Chorale (in 1960-06)
orchestra:
Robert Shaw Orchestra (in 1960-06)
conductor:
Robert Shaw (conductor) (in 1960-06)
recorded at:
Manhattan Center in Midtown Manhattan (in 1960-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1960-06)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach; Robert Shaw5:42
10Mass in B minor, BWV 232: Credo: Et Resurrexit
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings)
producer:
Daniel Slick (producer)
choir vocals:
Robert Shaw Chorale (in 1960-06)
orchestra:
Robert Shaw Orchestra (in 1960-06)
conductor:
Robert Shaw (conductor) (in 1960-06)
recorded at:
Manhattan Center in Midtown Manhattan (in 1960-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1960-06)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach; Robert Shaw4:25
56CD: Bach: Mass B Minor – The Robert Shaw Chorale and Orchestra
57CD: Verdi: Requiem – Ezio Flagello / Carlo Bergonzi / Birgit Nilsson / Lili Chookasian / Erich Leinsdorf
58CD: Verdi: Requiem – Ezio Flagello / Carlo Bergonzi / Birgit Nilsson / Lili Chookasian / Erich Leinsdorf
59CD: Chopin: The Nocturnes – Arthur Rubinstein
60CD: Chopin: The Nocturnes – Arthur Rubinstein

Credits

Release group

includes:Carmen for Orchestra by Morton Gould (American composer and conductor)
Otello (1960 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Jon Vickers (tenor), Leonie Rysanek (soprano), Tito Gobbi (baritone), Rome Opera Orchestra and Chorus, Tullio Serafin (conductor)
Sonata In F Minor, Op. 57 ("Appassionata") / Sonata No. 7 In D, Op. 10, No. 3 by Ludwig van Beethoven (German composer); Vladimir Horowitz (Ukrainian‐American pianist and composer)