Undercurrent

~ Release by Bill Evans & Jim Hall (see all versions of this release, 17 available)

Tracklist

1▼CD
#TitleRatingLength
1My Funny Valentine (alternate take)
engineer:
Bill Schwartau
producer:
Alan Douglas (American record producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-05-14)
piano:
Bill Evans (pianist) (on 1962-05-14)
remixer:
Malcolm Addey
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Sound Makers in New York (on 1962-05-14)
instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1962-05-14)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
6:56
2My Funny Valentine
engineer:
Bill Schwartau
producer:
Alan Douglas (American record producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (from 1962-04-24 until 1962-05-14, on 1962-05-14)
piano:
Bill Evans (pianist) (from 1962-04-24 until 1962-05-14, on 1962-05-14)
remixer:
Malcolm Addey
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Sound Makers in New York (from 1962-04-24 until 1962-05-14, on 1962-05-14)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (from 1962-04-24 until 1962-05-14)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1962-05-14)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
5:22
3I Hear a Rhapsody
engineer:
Bill Schwartau
producer:
Alan Douglas (American record producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-05-14)
piano:
Bill Evans (pianist) (on 1962-05-14)
remixer:
Malcolm Addey
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Sound Makers in New York (on 1962-04-24)
instrumental recording of:
I Hear a Rhapsody (on 1962-04-24)
lyricist and composer:
Jack Baker (US songwriter "I Hear a Rhapsody"), George Fragos and Dick Gasparre
publisher:
Broadcast Music Inc.
4:38
4Dream Gypsy
engineer:
Bill Schwartau
producer:
Alan Douglas (American record producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (from 1962-04-24 until 1962-05-14, on 1962-05-14)
piano:
Bill Evans (pianist) (from 1962-04-24 until 1962-05-14, on 1962-05-14)
remixer:
Malcolm Addey
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Sound Makers in New York (from 1962-04-24 until 1962-05-14, on 1962-05-14)
cover recording of:
Dream Gypsy (from 1962-04-24 until 1962-05-14)
composer:
Judith Veevers
recording of:
Dream Gypsy (on 1962-05-14)
composer:
Judith Veevers
4:34
5Stairway to the Stars
engineer:
Bill Schwartau
producer:
Alan Douglas (American record producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-05-14)
piano:
Bill Evans (pianist) (on 1962-05-14)
remixer:
Malcolm Addey
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Sound Makers in New York (on 1962-04-24)
instrumental cover recording of:
Stairway to the Stars (on 1962-04-24)
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
5:39
6I'm Getting Sentimental Over You
engineer:
Bill Schwartau
producer:
Alan Douglas (American record producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-05-14)
piano:
Bill Evans (pianist) (on 1962-05-14)
remixer:
Malcolm Addey
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Sound Makers in New York (on 1962-04-24)
instrumental cover recording of:
I’m Getting Sentimental Over You (on 1962-04-24)
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4:15
7Romain
engineer:
Bill Schwartau
producer:
Alan Douglas (American record producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (from 1962-04-24 until 1962-05-14, on 1962-05-14)
piano:
Bill Evans (pianist) (from 1962-04-24 until 1962-05-14, on 1962-05-14)
remixer:
Malcolm Addey
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Sound Makers in New York (from 1962-04-24 until 1962-05-14, on 1962-05-14)
recording of:
Romain (from 1962-04-24 until 1962-05-14)
composer:
Jim Hall (US jazz guitarist, composer & arranger)
recording of:
Romain (on 1962-05-14)
composer:
Jim Hall (US jazz guitarist, composer & arranger)
5:22
8Romain (alternate take)
engineer:
Bill Schwartau
producer:
Alan Douglas (American record producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-05-14)
piano:
Bill Evans (pianist) (on 1962-05-14)
remixer:
Malcolm Addey
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Sound Makers in New York (on 1962-05-14)
recording of:
Romain (on 1962-05-14)
composer:
Jim Hall (US jazz guitarist, composer & arranger)
5:26
9Skating in Central Park
recording engineer:
Bill Schwartau (on 1962-05-14)
engineer:
Bill Schwartau
producer:
Alan Douglas (American record producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (from 1962-04-24 until 1962-05-14, on 1962-05-14)
piano:
Bill Evans (pianist) (from 1962-04-24 until 1962-05-14, on 1962-05-14)
remixer:
Malcolm Addey
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Sound Makers in New York (from 1962-04-24 until 1962-05-14, on 1962-05-14)
cover recording of:
Skating in Central Park (from 1962-04-24 until 1962-05-14)
composer and arranger:
John Lewis (pianist, member of Modern Jazz Quartet)
cover recording of:
Skating in Central Park (on 1962-05-14)
composer and arranger:
John Lewis (pianist, member of Modern Jazz Quartet)
recording of:
Skating in Central Park (on 1962-05-14)
composer and arranger:
John Lewis (pianist, member of Modern Jazz Quartet)
5:21
10Darn That Dream
recording engineer:
Bill Schwartau (on 1962-05-14)
engineer:
Bill Schwartau
producer:
Alan Douglas (American record producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (from 1962-04-24 until 1962-05-14, on 1962-05-14)
piano:
Bill Evans (pianist) (from 1962-04-24 until 1962-05-14, on 1962-05-14)
remixer:
Malcolm Addey
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Sound Makers in New York (from 1962-04-24 until 1962-05-14, on 1962-05-14)
cover recording of:
Darn That Dream (from 1962-04-24 until 1962-05-14)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
instrumental cover recording of:
Darn That Dream (on 1962-05-14)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
instrumental recording of:
Darn That Dream (on 1962-05-14)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
recording of:
Darn That Dream
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
5:06

Credits

Release

printed in:United States