| # | Title | Rating | Length |
|---|
| 1 | Reverend Lee- recording engineer:
- Lewis Hahn (on 1969-12-08)
- producer:
- King Curtis and Joel Dorn
- baritone saxophone:
- Trevor Lawrence (on 1969-12-08)
- bass [electric bass]:
- Chuck Rainey (on 1969-12-08)
- drums (drum set):
- Ray Lucas (on 1969-12-08)
- guitar:
- Eric Gale (on 1969-12-08)
- percussion:
- Warren Smith (on 1969-12-08)
- piano:
- Donny Hathaway (on 1969-12-08)
- strings:
- Arnold Block (on 1969-12-08), Alfred Brown (on 1969-12-08), Peter Buonconsiglio (on 1969-12-08), Selwart Clarke (on 1969-12-08), Emanuel Green (on 1969-12-08), Leo Kahn (on 1969-12-08), Max Kahn (on 1969-12-08), Luis Eley (on 1969-12-08), Seymour Miroff (on 1969-12-08), Gene Orloff (on 1969-12-08), Raoul Polikian (on 1969-12-08), Max Pollikoff (on 1969-12-08) and Tosha Samaroff (on 1969-12-08)
- tenor saxophone:
- George Marge (on 1969-12-08)
- trombone:
- Garnett Brown (on 1969-12-08) and Chauncey Welsch (on 1969-12-08)
- trumpet:
- John Frosk (on 1969-12-08), John Glasel (on 1969-12-08) and Ernie Royal (on 1969-12-08)
- woodwind [alto sax, flute?]:
- Frank Wess (on 1969-12-08)
- vocals:
- Roberta Flack (on 1969-12-08)
- remixer:
- Lewis Hahn
- arranger:
- Donny Hathaway
- recorded at:
- Atlantic Studios in Midtown Manhattan (on 1969-12-08)
- cover recording of:
- Reverend Lee (on 1969-12-08)
- writer:
- Gene McDaniels
| | 4:33 |
| 2 | Do What You Gotta Do- recording engineer:
- Lewis Hahn (on 1970-03-25)
- producer:
- Joel Dorn
- bass:
- Marshall Hawkins (on 1970-03-25)
- drums (drum set):
- Bernard Sweetney (on 1970-03-25)
- euphonium:
- John Swallow (on 1970-03-25)
- flute [alto, bass flute]:
- Joe Gentle (on 1970-03-25) and Hubert Laws (on 1970-03-25)
- harp:
- Corky Hale (on 1970-03-25)
- piano:
- Roberta Flack (on 1970-03-25)
- strings:
- Sanford Allen (on 1970-03-25), Alfred Brown (on 1970-03-25), Selwart Clarke (on 1970-03-25), Noel DaCosta (on 1970-03-25), Peter Dimitriades (on 1970-03-25), Harry Lookofsky (on 1970-03-25), Joe Malin (on 1970-03-25), Kermit Moore (on 1970-03-25) and Gene Orloff (on 1970-03-25)
- vocals:
- Roberta Flack (on 1970-03-25)
- conductor:
- Eumir Deodato (on 1970-03-25)
- remixer:
- Lewis Hahn
- arranger:
- Eumir Deodato and Donny Hathaway
- recorded at:
- Atlantic Studios in Midtown Manhattan (on 1970-03-25)
- cover recording of:
- Do What You Gotta Do (on 1970-03-25)
- lyricist and composer:
- Jimmy Webb
- publisher:
- EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC and Sosahamu Music Inc.
| 3 | 4:10 |
| 3 | Just Like a Woman | | 6:16 |
| 4 | Let It Be Me- recording engineer:
- Lewis Hahn (on 1970-04-01)
- producer:
- Joel Dorn
- bass:
- Terry Plumeri (on 1970-04-01)
- drums (drum set):
- Bernard Sweetney (on 1970-04-01)
- euphonium:
- John Swallow (on 1970-04-01)
- flute [alto, bass flute]:
- Joe Gentle (on 1970-04-01) and Hubert Laws (on 1970-04-01)
- harp:
- Corky Hale (on 1970-04-01)
- piano:
- Roberta Flack (on 1970-04-01)
- strings:
- Sanford Allen (on 1970-04-01), Alfred Brown (on 1970-04-01), Selwart Clarke (on 1970-04-01), Noel DaCosta (on 1970-04-01), Peter Dimitriades (on 1970-04-01), Harry Lookofsky (on 1970-04-01), Joe Malin (on 1970-04-01), Kermit Moore (on 1970-04-01) and Gene Orloff (on 1970-04-01)
- vocals:
- Roberta Flack (on 1970-04-01)
- conductor:
- Eumir Deodato (on 1970-04-01)
- remixer:
- Lewis Hahn
- arranger:
- Eumir Deodato and Donny Hathaway
- recorded at:
- Atlantic Studios in Midtown Manhattan (on 1970-04-01)
- cover recording of:
- Let It Be Me (on 1970-04-01)
- lyricist:
- Pierre Delanoë
- composer:
- Gilbert Bécaud
- translator:
- Mann Curtis
- publisher:
- BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music , Songs of Universal, Inc. and Universal Music Corp.
- sub-publisher:
- ユニバーサル・ミュージック・パブリッシング Synch事業部
- translated version of:
- Je t’appartiens
| 3.3 | 5:00 |
| 5 | Gone Away- recording engineer:
- Lewis Hahn (on 1969-12-09)
- producer:
- King Curtis and Joel Dorn
- baritone saxophone:
- Trevor Lawrence (on 1969-12-09)
- bass [electric bass]:
- Chuck Rainey (on 1969-12-09)
- drums (drum set):
- Ray Lucas (on 1969-12-09)
- guitar:
- Eric Gale (on 1969-12-09)
- percussion:
- Warren Smith (on 1969-12-09)
- piano:
- Donny Hathaway (on 1969-12-09)
- strings:
- Arnold Block (on 1969-12-09), Alfred Brown (on 1969-12-09), Peter Buonconsiglio (on 1969-12-09), Selwart Clarke (on 1969-12-09), Emanuel Green (on 1969-12-09), Leo Kahn (on 1969-12-09), Max Kahn (on 1969-12-09), Luis Eley (on 1969-12-09), Seymour Miroff (on 1969-12-09), Gene Orloff (on 1969-12-09), Raoul Polikian (on 1969-12-09), Max Pollikoff (on 1969-12-09) and Tosha Samaroff (on 1969-12-09)
- tenor saxophone:
- George Marge (on 1969-12-09)
- trombone:
- Garnett Brown (on 1969-12-09) and Chauncey Welsch (on 1969-12-09)
- trumpet:
- John Frosk (on 1969-12-09), John Glasel (on 1969-12-09) and Ernie Royal (on 1969-12-09)
- woodwind [alto sax, flute?]:
- Frank Wess (on 1969-12-09)
- background vocals:
- King Curtis (on 1969-12-09), Roberta Flack (on 1969-12-09) and Gene McDaniels (on 1969-12-09)
- vocals:
- Roberta Flack (on 1969-12-09)
- remixer:
- Lewis Hahn
- arranger:
- Donny Hathaway
- recorded at:
- Atlantic Studios in Midtown Manhattan (on 1969-12-09)
- cover recording of:
- Gone Away (on 1969-12-09)
- writer:
- Donny Hathaway, Leroy Hutson and Curtis Mayfield
| | 5:17 |
| 6 | Until It’s Time for You to Go- recording engineer:
- Lewis Hahn (on 1970-04-01)
- producer:
- Joel Dorn
- bass:
- Terry Plumeri (on 1970-04-01)
- drums (drum set):
- Bernard Sweetney (on 1970-04-01)
- euphonium:
- John Swallow (on 1970-04-01)
- flute [alto, bass flute]:
- Joe Gentle (on 1970-04-01) and Hubert Laws (on 1970-04-01)
- harp:
- Corky Hale (on 1970-04-01)
- piano:
- Roberta Flack (on 1970-04-01)
- strings:
- Sanford Allen (on 1970-04-01), Alfred Brown (on 1970-04-01), Selwart Clarke (on 1970-04-01), Noel DaCosta (on 1970-04-01), Peter Dimitriades (on 1970-04-01), Harry Lookofsky (on 1970-04-01), Joe Malin (on 1970-04-01), Kermit Moore (on 1970-04-01) and Gene Orloff (on 1970-04-01)
- vocals:
- Roberta Flack (on 1970-04-01)
- conductor:
- Eumir Deodato (on 1970-04-01)
- remixer:
- Lewis Hahn
- arranger:
- Eumir Deodato and Donny Hathaway
- recorded at:
- Atlantic Studios in Midtown Manhattan (on 1970-04-01)
- cover recording of:
- Until It’s Time for You to Go (on 1970-04-01)
- lyricist and composer:
- Buffy Sainte‐Marie
- publisher:
- Almo Music Corp. (ended), Copyright Control (ended), Howe Sound Music Publishing LLC and Rondor Music (London) Ltd.
| | 4:59 |
| 7 | The Impossible Dream- recording engineer:
- Lewis Hahn (on 1970-03-25)
- producer:
- Joel Dorn
- bass:
- Marshall Hawkins (on 1970-03-25)
- drums (drum set):
- Bernard Sweetney (on 1970-03-25)
- euphonium:
- John Swallow (on 1970-03-25)
- flute [alto, bass flute]:
- Joe Gentle (on 1970-03-25) and Hubert Laws (on 1970-03-25)
- harp:
- Corky Hale (on 1970-03-25)
- piano:
- Roberta Flack (on 1970-03-25)
- strings:
- Sanford Allen (on 1970-03-25), Alfred Brown (on 1970-03-25), Selwart Clarke (on 1970-03-25), Noel DaCosta (on 1970-03-25), Peter Dimitriades (on 1970-03-25), Harry Lookofsky (on 1970-03-25), Joe Malin (on 1970-03-25), Kermit Moore (on 1970-03-25) and Gene Orloff (on 1970-03-25)
- vocals:
- Roberta Flack (on 1970-03-25)
- conductor:
- Eumir Deodato (on 1970-03-25)
- remixer:
- Lewis Hahn
- arranger:
- Eumir Deodato and Donny Hathaway
- recorded at:
- Atlantic Studios in Midtown Manhattan (on 1970-03-25)
- cover recording of:
- The Impossible Dream (on 1970-03-25)
- lyricist:
- Joe Darion
- composer:
- Mitch Leigh
- publisher:
- Andrew Scott Inc., Andrew Scott Music, Carlin Music Corporation and Helena Music Co.
- part of:
- Man of La Mancha
| | 4:42 |
| 8 | Business Goes on as Usual | | 3:26 |
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