Negotiations and Love Songs: 1971–1986 (BMG club edition-horizontal label)

~ Release by Paul Simon (see all versions of this release, 10 available)

Annotation

This release has horizontal BMG label on back, unlike vertical BMG label of https://www.discogs.com/Paul-Simon-Negotiations-And-Love-Songs-1971-1986/release/4096052 and https://www.discogs.com/Paul-Simon-Negotiations-And-Love-Songs-1971-1986/release/7641176.

Annotation last modified on 2025-11-05 22:41 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Mother and Child Reunion
recording of:
Mother and Child Reunion
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) and Paul Simon Music (in 1971)
42:49
2Me and Julio Down by the Schoolyard
producer:
Paul Simon (of Simon & Garfunkel)
bass:
Russell George (bassist/violinist)
guitar:
Paul Simon (of Simon & Garfunkel) and David Spinozza
percussion:
Airto Moreira (percussionist)
vocals:
Paul Simon (of Simon & Garfunkel)
arranger:
Paul Simon (of Simon & Garfunkel)
recording of:
Me and Julio Down by the Schoolyard
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) and Paul Simon Music (in 1971)
4.552:44
3Something So Right
engineer:
Phil Ramone
co-producer:
Phil Ramone
producer:
Paul Simon (of Simon & Garfunkel)
double bass [acoustic bass]:
Richard Davis (American jazz bassist)
drums (drum set) [drums]:
Grady Tate
electric bass guitar [elec. bass]:
Bob Cranshaw
guitar:
Alexander Gafa, Paul Simon (of Simon & Garfunkel) and David Spinozza
keyboard:
Bobby James (US jazz keyboardist, arranger and producer)
piano:
Bobby Scott (vocals, piano, US musician & producer)
vibraphone [vibes]:
Don Elliott
strings arranger:
Quincy Jones
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recording of:
Something So Right
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Sony/ATV Songs LLC and Paul Simon Music (in 1973)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.354:31
4St. Judy’s Comet
engineer:
Jerry Masters (US bassist & engineer, in The Hombres)
co-producer:
The Muscle Shoals Rhythm Section
producer:
Paul Simon (of Simon & Garfunkel)
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist)
guitar:
Paul Simon (of Simon & Garfunkel)
keyboard and vibraphone [vibes]:
Barry Beckett
percussion:
Roger Hawkins
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Muscle Shoals Sound Studio in Sheffield
recording of:
St. Judy’s Comet
publisher:
Paul Simon (of Simon & Garfunkel) (in 1973)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music
3.53:17
5Loves Me Like a Rock
engineer:
Jerry Masters (US bassist & engineer, in The Hombres) and Phil Ramone
co-producer:
The Muscle Shoals Rhythm Section and Phil Ramone
producer:
Paul Simon (of Simon & Garfunkel)
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set) [drums]:
Roger Hawkins
guitar:
Paul Simon (of Simon & Garfunkel)
additional guest background vocals and background vocals [vocal group]:
The Dixie Hummingbirds
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Muscle Shoals Sound Studio in Sheffield
recording of:
Loves Me Like a Rock
publisher:
Paul Simon (of Simon & Garfunkel) (in 1973)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music
4.653:18
6Kodachrome
engineer:
Jerry Masters (US bassist & engineer, in The Hombres) and Phil Ramone
co-producer:
The Muscle Shoals Rhythm Section
producer:
Paul Simon (of Simon & Garfunkel)
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set) [drums]:
Roger Hawkins
electric guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
guitar:
Pete Carr (US guitarist) and Paul Simon (of Simon & Garfunkel)
keyboard:
Barry Beckett
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Muscle Shoals Sound Studio in Sheffield
recording of:
Kodachrome (in 1973)
publisher:
Paul Simon (of Simon & Garfunkel) (in 1973)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music
4.253:31
7Have a Good Time
recording engineer:
Glenn Berger and Burt Szerlip
engineer:
Phil Ramone
producer:
Phil Ramone and Paul Simon (of Simon & Garfunkel)
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman Stick)
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Joe Beck (guitar) and Hugh McCracken
electric piano:
Bob James (US jazz keyboardist, arranger and producer)
percussion:
Ralph MacDonald
solo saxophone:
Phil Woods (US jazz woodwind player)
background vocals:
Valerie Simpson
vocals:
Paul Simon (of Simon & Garfunkel)
brass [horns] arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1975, in 1981, in 2004)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
Have a Good Time
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), DeShufflin Limited (in 1975) and Paul Simon Music (in 1975)
43:23
850 Ways to Leave Your Lover
recording engineer:
Glenn Berger and Burt Szerlip
engineer:
Phil Ramone
producer:
Phil Ramone and Paul Simon (of Simon & Garfunkel)
acoustic guitar:
Paul Simon (of Simon & Garfunkel)
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman Stick)
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Hugh McCracken and John Tropea
organ:
Kenny Ascher
percussion:
Ralph MacDonald
background vocals:
Patti Austin, Valerie Simpson and Phoebe Snow
vocals:
Paul Simon (of Simon & Garfunkel)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1975, in 1981, in 2004)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975) and Warner Music H.K. Ltd. (in 1997)
recording of:
50 Ways to Leave Your Lover
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), DeShufflin Limited (in 1975) and Paul Simon Music (in 1975)
3.853:32
9Still Crazy After All These Years
recording engineer:
Glenn Berger and Burt Szerlip
engineer:
Phil Ramone
producer:
Phil Ramone and Paul Simon (of Simon & Garfunkel)
bass guitar [bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set):
Roger Hawkins
electric piano:
Barry Beckett
solo saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
vocals:
Paul Simon (of Simon & Garfunkel)
strings and woodwind arranger:
Bob James (US jazz keyboardist, arranger and producer)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1975, in 1981, in 2004)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
Still Crazy After All These Years
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Sony/ATV Songs LLC, DeShufflin Limited (in 1975) and Paul Simon Music (in 1975)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4.653:23
10Late in the Evening
engineer:
Jim Boyer (producer/engineer) and Phil Ramone
producer:
Phil Ramone and Paul Simon (of Simon & Garfunkel)
mixer:
Phil Ramone
acoustic guitar:
Hugh McCracken
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman Stick)
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Eric Gale
percussion:
Ralph MacDonald
background vocals and lead vocals:
Paul Simon (of Simon & Garfunkel)
brass [horns] arranger:
Dave Grusin (American pianist and score composer)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1980)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York
recording of:
Late in the Evening
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Paul Simon Music (in 1980)
part of:
One‐Trick Pony (1980 film soundtrack)
43:54
11Slip Slidin’ Away
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 48)
recording of:
Slip Slidin’ Away
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) and Paul Simon Music (in 1977)
4.354:43
12Hearts and Bones
engineer and mixer:
Roy Halee
acoustic bass guitar [contrabass guitar]:
Anthony Jackson (US bassist)
acoustic guitar:
Paul Simon (of Simon & Garfunkel)
drums (drum set):
Steve Gadd (drummer)
guitar [hi‐string guitar]:
Dean Parks (American session guitarist)
marimba and vibraphone:
Mike Mainieri
percussion:
Airto Moreira (percussionist)
Rhodes piano:
Richard Tee
mixed at:
Regent Sound Studios in New York
recording of:
Hearts and Bones
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) and Paul Simon Music (in 1982)
3.655:38
13Train in the Distance
recording of:
Train in the Distance
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) and Paul Simon Music
34:22
14Rene and Georgette Magritte With Their Dog After the War
engineer and mixer:
Roy Halee
acoustic bass guitar [contrabass guitar] and fretless bass:
Anthony Jackson (US bassist)
electric guitar:
Paul Simon (of Simon & Garfunkel)
piano:
Rob Sabino
Rhodes piano, Rhodes piano and synthesizer and synthesizer:
Richard Tee
synclavier:
Wells Christie
background vocals:
The Harptones
vocals:
Paul Simon (of Simon & Garfunkel)
vocals arranger:
The Harptones
orchestrator:
Georges Delerue (French composer)
mixed at:
Regent Sound Studios in New York
recording of:
Rene and Georgette Magritte With Their Dog After the War
orchestrator:
Georges Delerue (French composer)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher)
3.353:44
15Diamonds on the Soles of Her Shoes
assistant engineer:
Mark Cobrin
engineer:
Roy Halee
producer:
Paul Simon (of Simon & Garfunkel)
alto saxophone:
Alex Foster (Saxophonist)
bass guitar:
Baghiti Khumalo
drums (drum set):
Isaac Mtshali
guitar:
Chikapa “Ray” Phiri and Paul Simon (of Simon & Garfunkel)
percussion:
Assane Thiam (tama player), Babacar Faye and Youssou N’Dour
tenor saxophone:
Leonard Pickett (saxophone)
trumpet:
Earl Gardner
choir vocals:
Ladysmith Black Mambazo
vocals:
Paul Simon (of Simon & Garfunkel)
recorded at:
The Hit Factory in Manhattan (in 1986-05)
mixed at:
The Hit Factory in Manhattan (in 1986)
recording of:
Diamonds on the Soles of Her Shoes
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
additional writer:
Joseph Shabalala
publisher:
Paul Simon Music (in 1986)
4.155:46
16You Can Call Me Al
assistant engineer:
Mark Cobrin
engineer:
Roy Halee
producer:
Paul Simon (of Simon & Garfunkel)
baritone saxophone and bass saxophone:
Ronald E. Cuber
bass guitar:
Baghiti Khumalo
drums (drum set):
Isaac Mtshali
electric bass guitar [six-string electric bass] and background vocals:
Paul Simon (of Simon & Garfunkel)
guitar:
Chikapa “Ray” Phiri
guitar synthesizer:
Adrian Belew
percussion:
Ralph MacDonald
solo tin whistle [pennywhistle]:
Morris Goldberg (saxophonist and flutist)
synthesizer:
Rob Mounsey
trombone:
Kim Allan Cissel and David W. Bargeron (US trombonist & tubist)
trumpet:
Alan Rubin, John Faddis, Lewis Michael Soloff and Ronald E. Brecker
vocals:
Paul Simon (of Simon & Garfunkel)
horn arranger:
Rob Mounsey
additional arranger:
Chikapa “Ray” Phiri
recorded at:
The Hit Factory in Manhattan (from 1985-05 until 1986-04)
mixed at:
The Hit Factory in Manhattan (in 1986)
recording of:
You Can Call Me Al
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music (in 1986)
4.34:40

Credits

Release

manufactured in:United States
printed in:United States