Giulini Remastered: Complete Studio Recordings on Columbia, HMV, Pathé & Electrola

~ Release by Carlo Maria Giulini (see all versions of this release, 1 available)

Tracklist

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1▼CD: Symphony no. 6 "Pastoral" / Egmont Overture
#TitleArtistRatingLength
1Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recorded at:
Abbey Road Studios in St John's Wood (in 1968)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country")
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:49
2Symphony no. 6 in F major, op. 68 "Pastoral": II. Szene am Bach. Andante molto moto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recorded at:
Abbey Road Studios in St John's Wood (in 1968)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook")
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven13:52
3Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recorded at:
Abbey Road Studios in St John's Wood (in 1968)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven6:01
4Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recorded at:
Abbey Road Studios in St John's Wood (in 1968)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven4:10
5Symphony no. 6 in F major, op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:01
6Egmont, op. 84: Overture
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-05-28 until 1969-05-29)
conductor:
Carlo Maria Giulini (conductor) (from 1969-05-28 until 1969-05-29)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1969-05-28 until 1969-05-29)
recorded at:
Studio No. 1, Abbey Road in St John's Wood (from 1969-05-28 until 1969-05-29)
recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro (from 1969-05-28 until 1969-05-29)
premiered in:
Wien (Vienna) (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven9:12
2▼CD: Beethoven: Symphony no. 7
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1Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
orchestra:
Chicago Symphony Orchestra (on 1971-03-29)
conductor:
Carlo Maria Giulini (conductor) (on 1971-03-29)
recorded at:
Medinah Temple in Chicago (on 1971-03-29)
recording of:
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace (on 1971-03-29)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven15:09
2Symphony no. 7 in A major, op. 92: II. Allegretto
orchestra:
Chicago Symphony Orchestra (on 1971-03-29)
conductor:
Carlo Maria Giulini (conductor) (on 1971-03-29)
recorded at:
Medinah Temple in Chicago (on 1971-03-29)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (on 1971-03-29)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven9:35
3Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto
orchestra:
Chicago Symphony Orchestra (on 1971-03-29)
conductor:
Carlo Maria Giulini (conductor) (on 1971-03-29)
recorded at:
Medinah Temple in Chicago (on 1971-03-29)
recording of:
Symphony no. 7 in A major, op. 92: III. Presto (on 1971-03-29)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:15
4Symphony no. 7 in A major, op. 92: IV. Allegro con brio
orchestra:
Chicago Symphony Orchestra (on 1971-03-29)
conductor:
Carlo Maria Giulini (conductor) (on 1971-03-29)
recorded at:
Medinah Temple in Chicago (on 1971-03-29)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (on 1971-03-29)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven7:31
3▼CD: Symphony no. 9 "Choral"
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1Symphony no. 9 in D Minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven18:20
2Symphony no. 9 in D Minor, op. 125 "Choral": II. (a) Molto vivace
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
edit of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto by London Symphony Orchestra, Carlo Maria Giulini (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven4:43
3Symphony no. 9 in D Minor, op. 125 "Choral": II. (b) Presto -
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
edit of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto by London Symphony Orchestra, Carlo Maria Giulini (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven3:14
4Symphony no. 9 in D Minor, op. 125 "Choral": II. (b) Molto vivace
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
edit of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto by London Symphony Orchestra, Carlo Maria Giulini (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven3:49
5Symphony no. 9 in D Minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven16:24
6Symphony no. 9 in D Minor, op. 125 "Choral": IV. (a) Presto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
edit of:
Symphony no. 9 in D minor, op. 125 (“Choral”): 4th Movement: Presto – Allegro assai – Alla Marcia – Andante maestoso – Adagio ma non troppo, ma divoto – Allegro energico, sempre ben marcato – Allegro ma non tanto – Prestissimo by Sheila Armstrong (soprano), Anna Reynolds (alto), Robert Tear (tenor), John Shirley‐Quirk (bass-baritone), London Symphony Orchestra Chorus, Arthur Oldham (chorus master), London Symphony Orchestra, Carlo Maria Giulini (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven7:11
7Symphony no. 9 in D Minor, op. 125 "Choral": IV. (b) Recitativo: "O Freunde, nicht diese Töne!"
bass vocals:
John Shirley‐Quirk (bass-baritone) (from 1972-11-22 until 1972-11-25)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
edit of:
Symphony no. 9 in D minor, op. 125 (“Choral”): 4th Movement: Presto – Allegro assai – Alla Marcia – Andante maestoso – Adagio ma non troppo, ma divoto – Allegro energico, sempre ben marcato – Allegro ma non tanto – Prestissimo by Sheila Armstrong (soprano), Anna Reynolds (alto), Robert Tear (tenor), John Shirley‐Quirk (bass-baritone), London Symphony Orchestra Chorus, Arthur Oldham (chorus master), London Symphony Orchestra, Carlo Maria Giulini (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven0:49
8Symphony no. 9 in D Minor, op. 125 "Choral": IV. (c) Allegro assai: "Freude, Freude!"
bass vocals:
John Shirley‐Quirk (bass-baritone) (from 1972-11-22 until 1972-11-25)
choir vocals:
London Symphony Chorus (from 1972-11-22 until 1972-11-25)
contralto vocals:
Anna Reynolds (alto) (from 1972-11-22 until 1972-11-25)
soprano vocals:
Sheila Armstrong (soprano) (from 1972-11-22 until 1972-11-25)
tenor vocals:
Robert Tear (tenor) (from 1972-11-22 until 1972-11-25)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
edit of:
Symphony no. 9 in D minor, op. 125 (“Choral”): 4th Movement: Presto – Allegro assai – Alla Marcia – Andante maestoso – Adagio ma non troppo, ma divoto – Allegro energico, sempre ben marcato – Allegro ma non tanto – Prestissimo by Sheila Armstrong (soprano), Anna Reynolds (alto), Robert Tear (tenor), John Shirley‐Quirk (bass-baritone), London Symphony Orchestra Chorus, Arthur Oldham (chorus master), London Symphony Orchestra, Carlo Maria Giulini (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven2:53
9Symphony no. 9 in D Minor, op. 125 "Choral": IV. (d) Allegro assai vivace, alla marcia: "Froh, wie seine Sonnen fliegen"
choir vocals:
London Symphony Chorus (from 1972-11-22 until 1972-11-25)
tenor vocals:
Robert Tear (tenor) (from 1972-11-22 until 1972-11-25)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
edit of:
Symphony no. 9 in D minor, op. 125 (“Choral”): 4th Movement: Presto – Allegro assai – Alla Marcia – Andante maestoso – Adagio ma non troppo, ma divoto – Allegro energico, sempre ben marcato – Allegro ma non tanto – Prestissimo by Sheila Armstrong (soprano), Anna Reynolds (alto), Robert Tear (tenor), John Shirley‐Quirk (bass-baritone), London Symphony Orchestra Chorus, Arthur Oldham (chorus master), London Symphony Orchestra, Carlo Maria Giulini (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven4:19
10Symphony no. 9 in D Minor, op. 125 "Choral": IV. (e) Andante maestoso: "Seid umschlungen, Millionen!"
choir vocals:
London Symphony Chorus (from 1972-11-22 until 1972-11-25)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
edit of:
Symphony no. 9 in D minor, op. 125 (“Choral”): 4th Movement: Presto – Allegro assai – Alla Marcia – Andante maestoso – Adagio ma non troppo, ma divoto – Allegro energico, sempre ben marcato – Allegro ma non tanto – Prestissimo by Sheila Armstrong (soprano), Anna Reynolds (alto), Robert Tear (tenor), John Shirley‐Quirk (bass-baritone), London Symphony Orchestra Chorus, Arthur Oldham (chorus master), London Symphony Orchestra, Carlo Maria Giulini (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven3:41
11Symphony no. 9 in D Minor, op. 125 "Choral": IV. (f) Allegro energico, sempre ben marcato. "Seid umschlungen - Freude, schöner Götterfunken"
choir vocals:
London Symphony Chorus (from 1972-11-22 until 1972-11-25)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
edit of:
Symphony no. 9 in D minor, op. 125 (“Choral”): 4th Movement: Presto – Allegro assai – Alla Marcia – Andante maestoso – Adagio ma non troppo, ma divoto – Allegro energico, sempre ben marcato – Allegro ma non tanto – Prestissimo by Sheila Armstrong (soprano), Anna Reynolds (alto), Robert Tear (tenor), John Shirley‐Quirk (bass-baritone), London Symphony Orchestra Chorus, Arthur Oldham (chorus master), London Symphony Orchestra, Carlo Maria Giulini (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven2:39
12Symphony no. 9 in D Minor, op. 125 "Choral": IV. (g) Allegro ma non tanto: "Freude, Tochter aus Elysium!"
bass vocals:
John Shirley‐Quirk (bass-baritone) (from 1972-11-22 until 1972-11-25)
choir vocals:
London Symphony Chorus (from 1972-11-22 until 1972-11-25)
contralto vocals:
Anna Reynolds (alto) (from 1972-11-22 until 1972-11-25)
soprano vocals:
Sheila Armstrong (soprano) (from 1972-11-22 until 1972-11-25)
tenor vocals:
Robert Tear (tenor) (from 1972-11-22 until 1972-11-25)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
edit of:
Symphony no. 9 in D minor, op. 125 (“Choral”): 4th Movement: Presto – Allegro assai – Alla Marcia – Andante maestoso – Adagio ma non troppo, ma divoto – Allegro energico, sempre ben marcato – Allegro ma non tanto – Prestissimo by Sheila Armstrong (soprano), Anna Reynolds (alto), Robert Tear (tenor), John Shirley‐Quirk (bass-baritone), London Symphony Orchestra Chorus, Arthur Oldham (chorus master), London Symphony Orchestra, Carlo Maria Giulini (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven2:45
13Symphony no. 9 in D Minor, op. 125 "Choral": IV. (h) Prestissimo: "Seid umschlungen, Millionen!"
choir vocals:
London Symphony Chorus (from 1972-11-22 until 1972-11-25)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
edit of:
Symphony no. 9 in D minor, op. 125 (“Choral”): 4th Movement: Presto – Allegro assai – Alla Marcia – Andante maestoso – Adagio ma non troppo, ma divoto – Allegro energico, sempre ben marcato – Allegro ma non tanto – Prestissimo by Sheila Armstrong (soprano), Anna Reynolds (alto), Robert Tear (tenor), John Shirley‐Quirk (bass-baritone), London Symphony Orchestra Chorus, Arthur Oldham (chorus master), London Symphony Orchestra, Carlo Maria Giulini (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven1:46
4▼CD: Beethoven: Symphony no. 8
#TitleArtistRatingLength
1Symphony no. 8 in F Major, Op. 93: I. Allegro vivace e con brio
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
recording of:
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven10:23
2Symphony no. 8 in F Major, Op. 93: II. Allegretto scherzando
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven4:00
3Symphony no. 8 in F Major, Op. 93: III. Tempo di menuetto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
recording of:
Symphony no. 8 in F major, op. 93: III. Tempo di menuetto (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven5:40
4Symphony no. 8 in F Major, Op. 93: IV. Allegro vivace
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-11-22 until 1972-11-25)
conductor:
Carlo Maria Giulini (conductor) (from 1972-11-22 until 1972-11-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-22 until 1972-11-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1972-11-22 until 1972-11-25)
recording of:
Symphony no. 8 in F major, op. 93: IV. Allegro vivace (from 1972-11-22 until 1972-11-25)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven7:32
5▼CD: Beethoven: Piano Concerto no. 3
#TitleArtistRatingLength
1Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio
producer:
Walter Legge (British classical producer)
piano:
Hans Richter-Haaser (pianist) (on 1963-04-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1963-04-20)
conductor:
Carlo Maria Giulini (conductor) (on 1963-04-20)
recorded at:
Abbey Road Studios in St John's Wood (on 1963-04-20)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio (on 1963-04-20)
additional composer:
Ludwig van Beethoven (German composer) (in 1809)
composer:
Ludwig van Beethoven (German composer) (in 1800)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven16:13
2Piano Concerto no. 3 in C minor, op. 37: II. Largo
producer:
Walter Legge (British classical producer)
piano:
Hans Richter-Haaser (pianist) (on 1963-04-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1963-04-20)
conductor:
Carlo Maria Giulini (conductor) (on 1963-04-20)
recorded at:
Abbey Road Studios in St John's Wood (on 1963-04-20)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo (on 1963-04-20)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven10:05
3Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro
producer:
Walter Legge (British classical producer)
piano:
Hans Richter-Haaser (pianist) (on 1963-04-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1963-04-20)
conductor:
Carlo Maria Giulini (conductor) (on 1963-04-20)
recorded at:
Abbey Road Studios in St John's Wood (on 1963-04-20)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro (on 1963-04-20)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven9:06
6▼CD: Beethoven: Violin Concerto
#TitleArtistRatingLength
1Violin Concerto in D major, op. 61: I. Allegro ma non troppo (Cadenza: Kreisler)
producer:
Suvi Raj Grubb
violin:
Itzhak Perlman (violinist and conductor) (from 1980-09-14 until 1980-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-09-14 until 1980-09-15)
conductor:
Carlo Maria Giulini (conductor) (from 1980-09-14 until 1980-09-15)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Michael Gray (UK classical recording engineer) (from 1980-09-14 until 1980-09-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1980-09-14 until 1980-09-15)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo (from 1980-09-14 until 1980-09-15)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
recording of:
Cadenza to Beethoven: Violin Concerto op. 61: 1st Movement (Kreisler)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
is based on:
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo
Ludwig van Beethoven24:26
2Violin Concerto in D major, op. 61: II. Larghetto
producer:
Suvi Raj Grubb
violin:
Itzhak Perlman (violinist and conductor) (from 1980-09-14 until 1980-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-09-14 until 1980-09-15)
conductor:
Carlo Maria Giulini (conductor) (from 1980-09-14 until 1980-09-15)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Michael Gray (UK classical recording engineer) (from 1980-09-14 until 1980-09-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1980-09-14 until 1980-09-15)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto (from 1980-09-14 until 1980-09-15)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven9:24
3Violin Concerto in D major, op. 61: III. Rondo. Allegro (Cadenza: Kreisler)
producer:
Suvi Raj Grubb
violin:
Itzhak Perlman (violinist and conductor) (from 1980-09-14 until 1980-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-09-14 until 1980-09-15)
conductor:
Carlo Maria Giulini (conductor) (from 1980-09-14 until 1980-09-15)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Michael Gray (UK classical recording engineer) (from 1980-09-14 until 1980-09-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1980-09-14 until 1980-09-15)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (from 1980-09-14 until 1980-09-15)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
recording of:
Cadenza to Beethoven’s Concerto for Violin: III. Rondo (Allegro) (Kreisler)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
is based on:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro
part of:
Cadenzas to Beethoven’s Concerto for Violin (Kreisler)
Ludwig van Beethoven10:08
7▼CD: Beethoven: Mass in C major
#TitleArtistRatingLength
1Mass in C major, Op. 86: I. Kyrie
producer:
Suvi Raj Grubb
bass vocals:
Marius Rintzler (Romanian operatic bass) (from 1970-09-15 until 1970-09-18)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1970-09-15 until 1970-09-18)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1970-09-15 until 1970-09-18)
soprano vocals:
Elly Ameling (soprano) (from 1970-09-15 until 1970-09-18)
tenor vocals:
Theo Altmeyer (German tenor) (from 1970-09-15 until 1970-09-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1970-09-15 until 1970-09-18)
conductor:
Carlo Maria Giulini (conductor) (from 1970-09-15 until 1970-09-18)
chorus master:
Wilhelm Pitz (chorus master) (from 1970-09-15 until 1970-09-18)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (from 1970-09-15 until 1970-09-18)
recording of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: I. Kyrie. Andante con moto assai vivace quasi Allegretto ma non troppo (from 1970-09-15 until 1970-09-18)
composer:
Ludwig van Beethoven (German composer) (in 1807)
part of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86
Ludwig van Beethoven5:34
2Mass in C major, Op. 86: II. Gloria
producer:
Suvi Raj Grubb
bass vocals:
Marius Rintzler (Romanian operatic bass) (from 1970-09-15 until 1970-09-18)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1970-09-15 until 1970-09-18)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1970-09-15 until 1970-09-18)
soprano vocals:
Elly Ameling (soprano) (from 1970-09-15 until 1970-09-18)
tenor vocals:
Theo Altmeyer (German tenor) (from 1970-09-15 until 1970-09-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1970-09-15 until 1970-09-18)
conductor:
Carlo Maria Giulini (conductor) (from 1970-09-15 until 1970-09-18)
chorus master:
Wilhelm Pitz (chorus master) (from 1970-09-15 until 1970-09-18)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (from 1970-09-15 until 1970-09-18)
recording of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: II. Gloria. Allegro con brio (from 1970-09-15 until 1970-09-18)
composer:
Ludwig van Beethoven (German composer) (in 1807)
part of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86
Ludwig van Beethoven10:22
3Mass in C major, Op. 86: III. Credo
producer:
Suvi Raj Grubb
bass vocals:
Marius Rintzler (Romanian operatic bass) (from 1970-09-15 until 1970-09-18)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1970-09-15 until 1970-09-18)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1970-09-15 until 1970-09-18)
soprano vocals:
Elly Ameling (soprano) (from 1970-09-15 until 1970-09-18)
tenor vocals:
Theo Altmeyer (German tenor) (from 1970-09-15 until 1970-09-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1970-09-15 until 1970-09-18)
conductor:
Carlo Maria Giulini (conductor) (from 1970-09-15 until 1970-09-18)
chorus master:
Wilhelm Pitz (chorus master) (from 1970-09-15 until 1970-09-18)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (from 1970-09-15 until 1970-09-18)
recording of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: III. Credo. Allegro con brio (from 1970-09-15 until 1970-09-18)
composer:
Ludwig van Beethoven (German composer) (in 1807)
part of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86
Ludwig van Beethoven13:18
4Mass in C major, Op. 86: IV. Sanctus & Benedictus
producer:
Suvi Raj Grubb
bass vocals:
Marius Rintzler (Romanian operatic bass) (from 1970-09-15 until 1970-09-18)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1970-09-15 until 1970-09-18)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1970-09-15 until 1970-09-18)
soprano vocals:
Elly Ameling (soprano) (from 1970-09-15 until 1970-09-18)
tenor vocals:
Theo Altmeyer (German tenor) (from 1970-09-15 until 1970-09-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1970-09-15 until 1970-09-18)
conductor:
Carlo Maria Giulini (conductor) (from 1970-09-15 until 1970-09-18)
chorus master:
Wilhelm Pitz (chorus master) (from 1970-09-15 until 1970-09-18)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (from 1970-09-15 until 1970-09-18)
recording of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro (from 1970-09-15 until 1970-09-18)
composer:
Ludwig van Beethoven (German composer) (in 1807)
part of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86
Ludwig van Beethoven11:19
5Mass in C major, Op. 86: V. Agnus Dei
producer:
Suvi Raj Grubb
bass vocals:
Marius Rintzler (Romanian operatic bass) (from 1970-09-15 until 1970-09-18)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1970-09-15 until 1970-09-18)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1970-09-15 until 1970-09-18)
soprano vocals:
Elly Ameling (soprano) (from 1970-09-15 until 1970-09-18)
tenor vocals:
Theo Altmeyer (German tenor) (from 1970-09-15 until 1970-09-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1970-09-15 until 1970-09-18)
conductor:
Carlo Maria Giulini (conductor) (from 1970-09-15 until 1970-09-18)
chorus master:
Wilhelm Pitz (chorus master) (from 1970-09-15 until 1970-09-18)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (from 1970-09-15 until 1970-09-18)
recording of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie (from 1970-09-15 until 1970-09-18)
composer:
Ludwig van Beethoven (German composer) (in 1807)
part of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86
Ludwig van Beethoven7:55
8▼CD: Beethoven: Missa Solemnis
#TitleArtistRatingLength
1Mass in D Major, Op. 123, "Missa Solemnis": I. Kyrie: "Kyrie eleison"
conductor:
Carlo Maria Giulini (conductor)
recording of:
Missa Solemnis D‐Dur, op. 123: I. Kyrie
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven10:31
2Mass in D Major, Op. 123, "Missa Solemnis": II. Gloria: "Gloria in excelsis Deo"
conductor:
Carlo Maria Giulini (conductor)
recording of:
Missa solemnis D-Dur, op. 123: IIa. Gloria: Allegro vivace: Gloria in excelsis Deo
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
partial recording of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven6:13
3Mass in D Major, Op. 123, "Missa Solemnis": II. Gloria: "Qui tollis peccata mundi, miserere nobis"
conductor:
Carlo Maria Giulini (conductor)
recording of:
Missa solemnis D-Dur, op. 123: IIc. Gloria: Allegro vivace: Qui tollis peccata mundi, miserere nobis
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
Ludwig van Beethoven6:19
4Mass in D Major, Op. 123, "Missa Solemnis": II. Gloria: "Quoniam tu solus Sanctus"
conductor:
Carlo Maria Giulini (conductor)
recording of:
Missa solemnis D-Dur, op. 123: IId. Gloria: Allegro vivace: Quoniam tu solus Sanctus
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
partial recording of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven8:01
5Mass in D Major, Op. 123, "Missa Solemnis": III. Credo: "Credo in unum Deum"
conductor:
Carlo Maria Giulini (conductor)
recording of:
Missa solemnis D-Dur, op. 123: IIIa. Credo: Allegro ma non troppo: Credo in unum Deum
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
Ludwig van Beethoven5:00
6Mass in D Major, Op. 123, "Missa Solemnis": III. Credo: "Et incarnatus est"
conductor:
Carlo Maria Giulini (conductor)
recording of:
Missa solemnis D-Dur, op. 123: IIIb. Credo: Allegro ma non troppo: Et incarnatus est
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
Ludwig van Beethoven6:19
7Mass in D Major, Op. 123, "Missa Solemnis": III. Credo: "Et resurrexit"
conductor:
Carlo Maria Giulini (conductor)
recording of:
Missa solemnis D-Dur, op. 123: IIIc. Credo: Allegro ma non troppo: Et resurrexit - Et ascendit in coelum
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
partial recording of:
Missa Solemnis D‐Dur, op. 123: III. Credo
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven11:11
8Mass in D Major, Op. 123, "Missa Solemnis": IV. Sanctus: "Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth"
conductor:
Carlo Maria Giulini (conductor)
recording of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven17:37
9Mass in D Major, Op. 123, "Missa Solemnis": V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi"
conductor:
Carlo Maria Giulini (conductor)
partial recording of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
recording of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven7:13
10Mass in D Major, Op. 123, "Missa Solemnis": V. Agnus Dei: "Dona nobis pacem"
conductor:
Carlo Maria Giulini (conductor)
recording of:
Missa solemnis D-Dur, op. 123: Vb. Agnus Dei: Allegretto vivace: Dona nobis pacem
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
is based on:
Dona nobis pacem
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
recording of:
Missa solemnis D-Dur, op. 123: Vd. Agnus Dei: Adagio: Agnus Dei - Dona nobis pacem
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
Ludwig van Beethoven9:32
9▼CD: Berlioz: Roméo et Juliette
#TitleArtistRatingLength
1Roméo et Juliette, Op. 17, H. 79: Partie I. Introduction - Combats, tumulte, intervention du Prince
producer:
Peter Andry (producer) and Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
orchestra:
Chicago Symphony Orchestra (in 1969-10)
conductor:
Carlo Maria Giulini (conductor) (in 1969-10)
balance engineer:
Carson Taylor (engineer)
recorded at:
Medinah Temple in Chicago (in 1969-10)
recording of:
Roméo et Juliette, op. 17 : Première partie: Nº 1. Introduction : Combats - Tumulte - Intervention du Prince (in 1969-10)
lyricist:
Émile Deschamps (poet)
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz4:55
2Roméo et Juliette, Op. 17, H. 79: Partie 2: Roméo seul, tristesse, bruits de concert et de bal
orchestra:
Chicago Symphony Orchestra (in 1969-10)
conductor:
Carlo Maria Giulini (conductor) (in 1969-10)
partial recording of:
Roméo et Juliette, op. 17 : Deuxième partie: Nº 2. Roméo seul - Tristesse - Bruit lointain de bal et de concert - Grande Fête chez Capulet
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz7:08
3Roméo et Juliette, Op. 17, H. 79: Partie 2: Grande fête chez Capulet
orchestra:
Chicago Symphony Orchestra (in 1969-10)
conductor:
Carlo Maria Giulini (conductor) (in 1969-10)
partial recording of:
Roméo et Juliette, op. 17 : Deuxième partie: Nº 2. Roméo seul - Tristesse - Bruit lointain de bal et de concert - Grande Fête chez Capulet
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz6:32
4Roméo et Juliette, Op. 17, H. 79: Partie 3: Scène d'amour
producer:
Peter Andry (producer) and Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
orchestra:
Chicago Symphony Orchestra (in 1969-10)
conductor:
Carlo Maria Giulini (conductor) (in 1969-10)
balance engineer:
Carson Taylor (engineer)
recorded at:
Medinah Temple in Chicago (in 1969-10)
recording of:
Roméo et Juliette, op. 17 : Deuxième partie: Nº 3. Scène d'amour: Nuit sereine - Le Jardin de Capulet, silencieux et désert « Ohé ! Capulets, bonsoir ! » - Les jeunes Capulets sortant de la fête, passent en chantant des réminiscences de la musique du bal (in 1969-10)
lyricist:
Émile Deschamps (poet)
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz17:03
5Roméo et Juliette, Op. 17, H. 79: Partie 3: Scherzo. La Reine Mab, ou la fée des songes
orchestra:
Chicago Symphony Orchestra (in 1969-10)
conductor:
Carlo Maria Giulini (conductor) (in 1969-10)
recording of:
Roméo et Juliette, op. 17 : Deuxième partie: Nº 4. Scherzo: La Reine Mab, ou la Fée des Songes
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz8:40
6Roméo et Juliette, Op. 17, H. 79: Partie 4: Roméo au tombeau des Capulets
orchestra:
Chicago Symphony Orchestra (in 1969-10)
conductor:
Carlo Maria Giulini (conductor) (in 1969-10)
partial recording of:
Roméo et Juliette, op. 17 : Troisième partie : Nº 6. Roméo au tombeau des Capulets – Invocation – Réveil de Juliette – Joie délirante, désespoir – Dernières angoisses et mort des deux amants
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz1:21
7Roméo et Juliette, Op. 17, H. 79: Partie 4: Invocation
orchestra:
Chicago Symphony Orchestra (in 1969-10)
conductor:
Carlo Maria Giulini (conductor) (in 1969-10)
partial recording of:
Roméo et Juliette, op. 17 : Troisième partie : Nº 6. Roméo au tombeau des Capulets – Invocation – Réveil de Juliette – Joie délirante, désespoir – Dernières angoisses et mort des deux amants
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz3:07
8Roméo et Juliette, Op. 17, H. 79: Partie 4: Réveil de Juliette
orchestra:
Chicago Symphony Orchestra (in 1969-10)
conductor:
Carlo Maria Giulini (conductor) (in 1969-10)
partial recording of:
Roméo et Juliette, op. 17 : Troisième partie : Nº 6. Roméo au tombeau des Capulets – Invocation – Réveil de Juliette – Joie délirante, désespoir – Dernières angoisses et mort des deux amants
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz1:10
9Roméo et Juliette, Op. 17, H. 79: Partie 4: Joie délirante
orchestra:
Chicago Symphony Orchestra (in 1969-10)
conductor:
Carlo Maria Giulini (conductor) (in 1969-10)
partial recording of:
Roméo et Juliette, op. 17 : Troisième partie : Nº 6. Roméo au tombeau des Capulets – Invocation – Réveil de Juliette – Joie délirante, désespoir – Dernières angoisses et mort des deux amants
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz1:07
10Roméo et Juliette, Op. 17, H. 79: Partie 4: Dernières angoisses et mort des deux amants
orchestra:
Chicago Symphony Orchestra (in 1969-10)
conductor:
Carlo Maria Giulini (conductor) (in 1969-10)
partial recording of:
Roméo et Juliette, op. 17 : Troisième partie : Nº 6. Roméo au tombeau des Capulets – Invocation – Réveil de Juliette – Joie délirante, désespoir – Dernières angoisses et mort des deux amants
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz2:06
10▼CD: Buccherini: Overture in D major / Symphony no. 41 / Haydn: Symphony no. 94 “Surprise”
#TitleArtistRatingLength
1Overture in D major G. 521 op. 43
Luigi Boccherini6:23
2Symphony no. 17 in C minor, op. 41, G. 519: I. Allegro vivo assai
producer:
Walter Jellinek (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-10-05 until 1956-10-08)
conductor:
Carlo Maria Giulini (conductor) (from 1956-10-05 until 1956-10-08)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London) (from 1956-10-05 until 1956-10-08)
recording of:
Symphony no. 17 in C minor, op. 41, G. 519: I. Allegro vivo assai (from 1956-10-05 until 1956-10-08)
composer:
Luigi Boccherini (Italian composer) (in 1788)
part of:
Symphony no. 17 in C minor, op. 41, G. 519
Luigi Boccherini6:53
3Symphony no. 17 in C minor, op. 41, G. 519: II. Pastorale. Lentarello
producer:
Walter Jellinek (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-10-05 until 1956-10-08)
conductor:
Carlo Maria Giulini (conductor) (from 1956-10-05 until 1956-10-08)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London) (from 1956-10-05 until 1956-10-08)
recording of:
Symphony no. 17 in C minor, op. 41, G. 519: II. Pastorale: Lentarello (from 1956-10-05 until 1956-10-08)
composer:
Luigi Boccherini (Italian composer) (in 1788)
part of:
Symphony no. 17 in C minor, op. 41, G. 519
Luigi Boccherini3:37
4Symphony no. 17 in C minor, op. 41, G. 519: III. Minuet. Allegro
producer:
Walter Jellinek (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-10-05 until 1956-10-08)
conductor:
Carlo Maria Giulini (conductor) (from 1956-10-05 until 1956-10-08)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London) (from 1956-10-05 until 1956-10-08)
recording of:
Symphony no. 17 in C minor, op. 41, G. 519: III. Minuetto: Allegro (from 1956-10-05 until 1956-10-08)
composer:
Luigi Boccherini (Italian composer) (in 1788)
part of:
Symphony no. 17 in C minor, op. 41, G. 519
Luigi Boccherini2:38
5Symphony no. 17 in C minor, op. 41, G. 519: IV. Finale. Allegro
Luigi Boccherini2:53
6Symphony no. 94 in G major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai
Joseph Haydn6:39
7Symphony no. 94 in G major, Hob. I:94 "Surprise": II. Andante
Joseph Haydn6:11
8Symphony no. 94 in G major, Hob. I:94 "Surprise": III. Menuetto - Trio
Joseph Haydn3:52
9Symphony no. 94 in G major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto
Joseph Haydn3:44
11▶CD: Haydn: Cello Concerto no. 2 / Buccherini: Cello Concerto no. 9
12▶CD: Brahms: Symphony no. 1
13▶CD: Brahms: Symphony no. 2
14▶CD: Brahms: Symphony no. 3 / Tragic Overture
15▶CD: Brahms: Symphony no. 4 / Overture from Der Freischütz
16▶CD: Brahms: Symphony no. 4 (CSO)
17▶CD: Brahms: Piano Concerto no. 1
18▶CD: Brahms: Piano Concerto no. 1
19▶CD: Brahms: Piano Concerto no. 2
20▶CD: Brahms: Violin Concerto
21▶CD: Britten: Four Sea Interludes From Peter Grimes / The Young Person's Guide to the Orchestra
22▶CD: Bruckner: Symphony no. 2
23▶CD: Bruckner: Symphony no. 9
24▶CD: Cherubini: Requiem in C minor
25▶CD: Debussy: La Mer / Trois Nocturnes
26▶CD: Dvořák: Symphony no. 7
27▶CD: Dvořák: Symphony no. 8 / Scherzo capriccioso
28▶CD: Dvořák: Symphony no. 9 “From the New World” / Carnival Overture
29▶CD: Dvořák: Cello Concerto / Saint‐Saëns: Cello Concerto No. 1
30▶CD: Falla: El amor brujo / Ravel: Rapsodie espagnole / Pavane pour une infante défunte
31▶CD: Falla: El sombrero de tres picos / Ravel: Alborada del gracioso / Daphnis et Chloé, Suite no. 2
32▶CD: Franck: Symphony in D minor / Psyche and Eros
33▶CD: Gluck: Iphigénie en Tauride (1)
34▶CD: Gluck: Iphigénie en Tauride (2)
35▶CD: Mahler: Symphony no. 1 "Titan"
36▶CD: Mozart: Piano Concertos nos. 9 "Jeunehomme" & 21
37▶CD: Mozart: Requiem
38▶CD: Mozart: Don Giovanni (1)
39▶CD: Mozart: Don Giovanni (2)
40▶CD: Mozart: Le nozze di Figaro (1)
41▶CD: Mozart: Le nozze di Figaro (2)
42▶CD: Pergolesi: La serva padrona
43▶CD: Rossini: Overtures
44▶CD: Rossini, Verdi: Overtures
45▶CD: Rossini: L'italiana in Algeri (1)
46▶CD: Rossini: L'italiana in Algeri (2)
47▶CD: Schumann: Cello Concerto / Saint-Saëns: Cello Concerto no. 1
48▶CD: Schubert: Symphony No. 8 “Unfinished” / Brahms: Variations on a Theme by Haydn
49▶CD: Schumann: Symphony no. 3 “Rhenish” / Manfred: Overture
50▶CD: Stravinsky: Suites from The Firebird, Petrushka
51▶CD: Stravinsky: L'Oiseau de feu / Bizet: Jeux d'enfants / Ravel: Ma Mère l'Oye
52▶CD: Tchaikovsky: Symphony no. 2 in C minor "Little Russian" / Mussorgsky: A Night on the Bare Mountain
53▶CD: Tchaikovsky: Symphony no. 6 “Pathétique”
54▶CD: Tchaikovsky: Romeo and Juliet: Fantasy Overture / Francesca da Rimini / Symphony no. 5 working session
55▶CD: Verdi: Quattro Pezzi Sacri
56▶CD: Verdi: Messa da Requiem
57▶CD: Verdi: Don Carlo (1)
58▶CD: Verdi: Don Carlo (2)
59▶CD: Verdi: Don Carlo (3)
60▶CD: Vivaldi: The Four Seasons