Mass in B minor

~ Release by Johann Sebastian Bach; René Jacobs, R. Johannsen, M.-C. Chappuis, H. Rasker, S. Kohlhepp, C. Immler, Akademie für Alte Musik Berlin, RIAS Kammerchor (see all versions of this release, 2 available)

Tracklist

1▶Digital Media
2▼Digital Media
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1Mass in B minor, BWV 232: II. Symbolum Nicenum: Credo in unum Deum
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:18
2Mass in B minor, BWV 232: II. Symbolum Nicenum: Patrem omnipotentem
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:08
3Mass in B minor, BWV 232: II. Symbolum Nicenum: Et in unum Dominum
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
mezzo-soprano vocals:
Marie‐Claude Chappuis (mezzo-soprano) (in 2021-08)
soprano vocals:
Robin Johannsen (soprano) (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:46
4Mass in B minor, BWV 232: II. Symbolum Nicenum: Et incarnatus est
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
alto vocals:
Helena Rasker (mezzo-soprano / alto) (in 2021-08)
bass-baritone vocals:
Christian Immler (baritone) (in 2021-08)
mezzo-soprano vocals:
Marie‐Claude Chappuis (mezzo-soprano) (in 2021-08)
soprano vocals:
Robin Johannsen (soprano) (in 2021-08)
tenor vocals:
Sebastian Kohlhepp (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:28
5Mass in B minor, BWV 232: II. Symbolum Nicenum: Crucifixus
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
alto vocals:
Helena Rasker (mezzo-soprano / alto) (in 2021-08)
bass-baritone vocals:
Christian Immler (baritone) (in 2021-08)
mezzo-soprano vocals:
Marie‐Claude Chappuis (mezzo-soprano) (in 2021-08)
tenor vocals:
Sebastian Kohlhepp (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:58
6Mass in B minor, BWV 232: II. Symbolum Nicenum: Et resurrexit
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:24
7Mass in B minor, BWV 232: II. Symbolum Nicenum: Et in Spiritum sanctum Dominum
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
bass-baritone vocals:
Christian Immler (baritone) (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:19
8Mass in B minor, BWV 232: II. Symbolum Nicenum: Confiteor
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:34
9Mass in B minor, BWV 232: II. Symbolum Nicenum: Et expecto
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:24
10Mass in B minor, BWV 232: III. Sanctus: Sanctus. Pleni sunt coeli
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:46
11Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: Osanna in excelsis
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
alto vocals:
Helena Rasker (mezzo-soprano / alto) (in 2021-08)
bass-baritone vocals:
Christian Immler (baritone) (in 2021-08)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2021-08)
mezzo-soprano vocals:
Marie‐Claude Chappuis (mezzo-soprano) (in 2021-08)
soprano vocals:
Robin Johannsen (soprano) (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:40
12Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: Benedictus
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
tenor vocals:
Sebastian Kohlhepp (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:32
13Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: Osanna in excelsis
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:44
14Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: Agnus Dei
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
alto vocals:
Helena Rasker (mezzo-soprano / alto) (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:00
15Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: Dona nobis pacem
sound engineer and producer:
Martin Sauer (engineer/producer)
editor:
René Möller
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2021-08)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2021-08)
conductor:
René Jacobs (conductor) (in 2021-08)
recorded at:
Bürgerhaus Neuenhagen in Neuenhagen bei Berlin (in 2021-08)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 2021-08)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:39

Credits

Release

mastering:René Möller