The Box

~ Release by Chicago (see all versions of this release, 2 available)

Tracklist

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1CD: CTA - Chicago
#TitleArtistRatingLength
1Introduction
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Terry Kath (member of Chicago) (in 1969-01)
brass arranger:
James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York (in 1969-01)
recording of:
Introduction (in 1969-01)
lyricist and composer:
Terry Kath (member of Chicago)
Chicago Transit Authority6:36
2Does Anybody Really Know What Time It Is?
engineer:
Fred Catero
producer:
James William Guercio
recorded at and mixed at:
Columbia Studios in New York (in 1969-01)
recording of:
Does Anybody Really Know What Time It Is?
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lamminations Music and Spirit Music Publishing Ltd.
Chicago Transit Authority3:21
3Beginnings
engineer:
Fred Catero
producer:
James William Guercio
recorded at and mixed at:
Columbia Studios in New York (in 1969-01)
recording of:
Beginnings (in 1969-01)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Lamminations Music
Chicago Transit Authority6:28
4Questions 67 and 68
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Peter Cetera (in 1969-01) and Robert Lamm (in 1969-01)
brass arranger:
Robert Lamm and James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York (in 1969-01)
recording of:
Questions 67 & 68 (in 1969-01)
lyricist and composer:
Robert Lamm
publisher:
Lamminations Music
Chicago Transit Authority5:02
5Listen
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York (in 1969-01)
recording of:
Listen (in 1969-01)
composer:
Robert Lamm
Chicago Transit Authority3:25
6South California Purples
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York (in 1969-01)
recording of:
South California Purples (in 1969-01)
lyricist and composer:
Robert Lamm
Chicago Transit Authority6:12
7I'm a Man
engineer:
Fred Catero
producer:
James William Guercio
recorded at and mixed at:
Columbia Studios in New York (in 1969-01)
cover recording of:
I’m a Man (in 1969-01)
writer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc) and Steve Winwood
composer:
Keith Emerson
publisher:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Chicago Transit Authority5:44
8Movin' In
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Movin’ In (in 1969-08)
lyricist and composer:
James Pankow
Chicago4:08
9Wake Up Sunshine
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Wake Up Sunshine (in 1969-08)
lyricist and composer:
Robert Lamm
Chicago2:33
10Ballet for a Girl in Buchannon
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
medley including a recording of:
Anxiety’s Moment (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
medley including a recording of:
Make Me Smile (in 1969-08)
lyricist and composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Big Elk Music, IQ Music Ltd. and Moose Music
part of:
Ballet for a Girl in Buchannon
medley including a recording of:
So Much to Say, So Much to Give (in 1969-08)
lyricist and composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
medley including a recording of:
West Virginia Fantasies (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
Chicago7:02
11Colour My World
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
solo flute:
Walter Parazaider (in 1969-08)
lead vocals:
Terry Kath (member of Chicago) (in 1969-08)
phonographic copyright (℗) by:
Warner Strategic Marketing Inc. (in 1970) and Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Colour My World (Chicago song) (in 1969-08)
lyricist:
James Pankow
composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), IQ Music Ltd., Moose Music, Spirit Music Publishing Ltd. and Spirit Two Music Inc.
part of:
Ballet for a Girl in Buchannon
Chicago23:03
12To Be Free/Now More Than Ever
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
medley including a recording of:
Now More Than Ever (in 1969-08)
lyricist and composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
medley including a recording of:
To Be Free (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
Chicago2:43
13Fancy Colours
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Fancy Colours (in 1969-08)
lyricist and composer:
Robert Lamm
Chicago5:12
1425 or 6 to 4
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
lead vocals:
Peter Cetera (in 1969-08)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Warner Strategic Marketing Inc. (in 1970) and Rhino Entertainment Company (not for release label use!) (in 2002)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 61)
recording of:
25 or 6 to 4 (in 1969-08)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (in 1986) and Lamminations Music (in 1986)
Chicago4:52
15Poem for the People
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Poem for the People (in 1969-08)
lyricist and composer:
Robert Lamm
Chicago5:31
16It Better End Soon Movements 1, 3, 4
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
medley including a recording of:
It Better End Soon (1st Movement) (in 1969-08)
lyricist and composer:
Robert Lamm
part of:
It Better End Soon
medley including a recording of:
It Better End Soon (3rd Movement) (in 1969-08)
writer:
Terry Kath (member of Chicago) and Robert Lamm
part of:
It Better End Soon
medley including a recording of:
It Better End Soon (4th Movement) (in 1969-08)
lyricist and composer:
Robert Lamm
part of:
It Better End Soon
Chicago6:37
2CD: Chicago III - VII
#TitleRatingLength
1Loneliness Is Just a Word
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York (in 1970-11)
recording of:
Loneliness Is Just a Word (in 1970-11)
writer:
Robert Lamm
2:37
2Flight 602
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York (in 1970-11)
recording of:
Flight 602 (in 1970-11)
writer:
Robert Lamm
part of:
Travel Suite
2:49
3Free
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York (in 1970-11)
recording of:
Free (in 1970-11)
lyricist and composer:
Robert Lamm
publisher:
J.W. Guercio Aurelia Music (Aurelia Music Division), Lamminations Music, Primary Wave Lamm, Spirit Catalogue Holdings, Spirit Two Music Inc., フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
part of:
Travel Suite
2:19
4Mother
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York (in 1970-11)
recording of:
Mother (in 1970-11)
writer:
Robert Lamm
4:31
5Lowdown
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York (in 1970-11)
recording of:
Lowdown (in 1970-11)
lyricist:
Peter Cetera and Danny Seraphine
composer:
Peter Cetera
publisher:
Balloon Head Music, J.W. Guercio Aurelia Music (Aurelia Music Division), Spirit Two Music Crescendo and Universal Music–MGB Songs
3:35
6An Hour in the Shower
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Sy Mitchell and Don Puluse
producer:
James William Guercio
recorded at and mixed at:
Columbia Studios in New York (in 1970-11)
recording of:
An Hour in the Shower (in 1970-11)
5:31
7A Hit by Varèse
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York (from 1971-09-20 until 1971-09-29)
recording of:
A Hit by Varèse (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
4:56
8All Is Well
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York (from 1971-09-20 until 1971-09-29)
recording of:
All Is Well (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
3:51
9Saturday in the Park
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York (from 1971-09-20 until 1971-09-29)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 9)
recording of:
Saturday in the Park (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm (in 1971)
publisher:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. and Warner Chappell North America Ltd.
43:56
10Dialogue, Part I & II
engineer:
Wayne Tarnowski
producer:
James William Guercio
recorded at:
Columbia Studios in New York (from 1971-09-20 until 1971-09-29)
recording of:
Dialogue (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
7:13
11Just You and Me
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera (in 1973-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Rhino Entertainment Company (not for release label use!) (in 1973, in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland (in 1973-02)
recording of:
Just You ’n’ Me (in 1973-02)
lyricist:
James Pankow
composer:
James Pankow (in 1973)
publisher:
Moose Music and Big Elk Music (in 1973)
3:44
12Something in This City Changes People
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland (in 1973-02)
recording of:
Something in This City Changes People (in 1973-02)
writer:
Robert Lamm
publisher:
Big Elk Music (in 1973)
3:43
13In Terms of Two
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland (in 1973-02)
recording of:
In Terms of Two (in 1973-02)
writer:
Peter Cetera
publisher:
Big Elk Music (in 1973)
3:30
14Feelin' Stronger Every Day
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Warner Strategic Marketing Inc. (in 1973), Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland (in 1973-02)
recording of:
Feelin’ Stronger Every Day (in 1973-02)
writer:
Peter Cetera (in 1973) and James Pankow (in 1973)
publisher:
BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Don Williams Music Group, Moose Music, Universal Music Publishing MGB Ltd. and Big Elk Music (in 1973)
4:15
15(I've Been) Searchin' So Long
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
synthesizer:
David Wolinski (from 1973-08 until 1973-12)
lead vocals:
Peter Cetera (from 1973-08 until 1973-12)
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood and Caribou Ranch Recording Studio in Nederland (from 1973-08 until 1973-12)
recording of:
(I’ve Been) Searchin’ So Long (from 1973-08 until 1973-12)
lyricist and composer:
James Pankow (in 1973)
publisher:
Big Elk Music and Make Me Smile Music
54:31
16Mongonucleosis
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
congas:
Guille Garcia (Cuban-born American percussionist, congas, drummer and singer-songwriter) (from 1973-08 until 1973-12)
percussion:
Laudir de Oliveira (from 1973-08 until 1973-12)
brass arranger:
James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood (strings) and Caribou Ranch Recording Studio in Nederland (from 1973-08 until 1973-12)
mixed at:
Caribou Ranch Recording Studio in Nederland (from 1973-08 until 1973-12)
recording of:
Mongonucleosis (from 1973-08 until 1973-12)
composer:
James Pankow
publisher:
Big Elk Music, Primary Wave Pankow, Spirit Catalogue Holdings, Spirit Two Music Inc., フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
3:27
17Wishing You Were Here
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
guitar:
James William Guercio (from 1973-08 until 1973-12)
synthesizer:
David Wolinski (from 1973-08 until 1973-12)
background vocals:
Al Jardine (from 1973-08 until 1973-12), Carl Wilson (Beach Boys) (from 1973-08 until 1973-12) and Dennis Wilson (Beach Boys) (from 1973-08 until 1973-12)
lead vocals:
Terry Kath (member of Chicago) (from 1973-08 until 1973-12)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood and Caribou Ranch Recording Studio in Nederland (from 1973-08 until 1973-12)
recording of:
Wishing You Were Here (from 1973-08 until 1973-12)
lyricist and composer:
Peter Cetera (in 1973)
publisher:
Big Elk Music and Polish Prince Music
4:38
18Call on Me
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
lead vocals:
Peter Cetera (from 1973-08 until 1973-12)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
recorded at:
Sound Labs, Inc. in Hollywood and Caribou Ranch Recording Studio in Nederland (from 1973-08 until 1973-12)
recording of:
Call on Me (from 1973-08 until 1973-12)
lyricist:
Lee Loughnane
composer:
Lee Loughnane (in 1973)
publisher:
Big Elk Music, COM Music, IQ Music Ltd. and Spirit Music Publishing Ltd.
4:03
19Happy Man
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
acoustic guitar:
James William Guercio (from 1973-08 until 1973-12)
bass:
Terry Kath (member of Chicago) (from 1973-08 until 1973-12)
percussion:
Guille Garcia (Cuban-born American percussionist, congas, drummer and singer-songwriter) (from 1973-08 until 1973-12) and Laudir de Oliveira (from 1973-08 until 1973-12)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood (strings) and Caribou Ranch Recording Studio in Nederland (from 1973-08 until 1973-12)
recording of:
Happy Man (from 1973-08 until 1973-12)
lyricist and composer:
Peter Cetera (in 1973)
33:15
3CD: Chicago VIII - Hot Streets
#TitleRatingLength
1Harry Truman
engineer:
Jeff Guercio, Mark Guercio (Engineer) and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone (in 1974-09)
lead vocals:
Robert Lamm (in 1975)
vocals:
John Carsello (in 1974-09), Donna Conroy (in 1974-09), Bob Eberhardt (in 1974-09), Steve Fagin (in 1974-09), Kristy Ferguson (vocalist, "The Caribou Kitchenettes") (in 1974-09), Linda Greene (in 1974-09), Lee Loughnane (in 1974-09), Brandy Maitland (in 1974-09), Katherine Ogden (in 1974-09), Laudir de Oliveira (in 1974-09), James Pankow (in 1974-09), Walter Parazaider (in 1974-09), Joanne Rocconi (in 1974-09) and Richard Torres (vocalist, "The Caribou Kitchenettes") (in 1974-09)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975), Warner Strategic Marketing (in 1975) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland (in 1974-09)
recording of:
Harry Truman (in 1974-09)
writer:
Robert Lamm (in 1975)
publisher:
Big Elk Music (in 1975) and Lamminations Music (in 1975)
3:01
2Old Days
engineer:
Jeff Guercio, Mark Guercio (Engineer) and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone (in 1974-09)
lead vocals:
Peter Cetera (in 1975)
orchestrator:
Patrick Williams (composer, arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975), Warner Strategic Marketing (in 1975) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland (in 1974-09)
recording of:
Old Days (in 1974-09)
writer:
James Pankow (in 1975)
publisher:
Big Elk Music and Make Me Smile Music
3.53:31
3Brand New Love Affair, Part I & II
engineer:
Jeff Guercio, Mark Guercio (Engineer) and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone (in 1974-09)
orchestrator:
Patrick Williams (composer, arranger)
phonographic copyright (℗) by:
Warner Strategic Marketing (in 1975) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland (in 1974-09)
recording of:
Brand New Love Affair (in 1974-09)
writer:
James Pankow
4:28
4Never Been in Love Before
engineer:
Jeff Guercio, Mark Guercio (Engineer) and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone (in 1974-09)
phonographic copyright (℗) by:
Warner Strategic Marketing (in 1975) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland (in 1974-09)
recording of:
Never Been in Love Before (in 1974-09)
writer:
Robert Lamm
4:10
5You Are on My Mind
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
recorded at:
Sound Labs, Inc. in Hollywood (strings) and Caribou Ranch Recording Studio in Nederland (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland (from 1976-03 until 1976-04)
recording of:
You Are on My Mind (from 1976-03 until 1976-04)
lyricist and composer:
James Pankow (in 1976)
publisher:
Island Music Ltd.
3:12
6Mama Mama
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood (strings) and Caribou Ranch Recording Studio in Nederland (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland (from 1976-03 until 1976-04)
recording of:
Mama Mama (from 1976-03 until 1976-04)
lyricist and composer:
Peter Cetera
publisher:
Island Music Ltd.
3:30
7Hope for Love
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
guitar:
James William Guercio (from 1976-03 until 1976-04)
mellotron and piano:
David Wolinski (from 1976-03 until 1976-04)
lead vocals:
Terry Kath (member of Chicago) (from 1976-03 until 1976-04)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood (strings) and Caribou Ranch Recording Studio in Nederland (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland (from 1976-03 until 1976-04)
recording of:
Hope for Love (from 1976-03 until 1976-04)
lyricist and composer:
Terry Kath (member of Chicago)
publisher:
Big Elk Music, Cook County Music and Island Music Ltd.
3:03
8Another Rainy Day in New York City
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
steelpan [steel drums]:
Othello Molineaux (from 1976-03 until 1976-04) and Leroy Williams (US jazz drummer) (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, Sound Labs, Inc. in Hollywood (strings) and Caribou Ranch Recording Studio in Nederland (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland (from 1976-03 until 1976-04)
recording of:
Another Rainy Day in New York City (from 1976-03 until 1976-04)
lyricist and composer:
Robert Lamm (in 1976)
publisher:
Big Elk Music, Island Music Ltd. and Lamminations Music
3:02
9Gently I'll Wake You
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
lead vocals:
Robert Lamm (from 1976-03 until 1976-04)
conductor:
Jimmie Haskell
strings arranger:
Robert Lamm
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood (strings) and Caribou Ranch Recording Studio in Nederland (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland (from 1976-03 until 1976-04)
recording of:
Gently I’ll Wake You (from 1976-03 until 1976-04)
lyricist and composer:
Robert Lamm
publisher:
Island Music Ltd.
3:33
10If You Leave Me Now
recording engineer:
Armin Steiner (from 1976-03 until 1976-04: strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Sound Labs, Inc. in Hollywood, Sound Labs, Inc. in Hollywood (strings) and Caribou Ranch Recording Studio in Nederland (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
4.23:57
11Mississippi Delta City Blues
assistant recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
brass arranger:
James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Caribou Ranch Recording Studio in Nederland and Sound Labs, Inc. in Hollywood (strings)
mixed at:
Caribou Ranch Recording Studio in Nederland
recording of:
Mississippi Delta City Blues (in 1977)
lyricist and composer:
Terry Kath (member of Chicago)
4:40
12Baby What a Big Surprise
assistant recording engineer and recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (in 1977)
additional background vocals:
Tim Cetera (in 1977) and Carl Wilson (Beach Boys) (in 1977)
orchestrator:
Peter Cetera, Dominic Frontiere and James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978), Chicago Records Inc. (in 1977) and Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
recorded at:
Caribou Ranch Recording Studio in Nederland and Sound Labs, Inc. in Hollywood (strings)
mixed at:
Caribou Ranch Recording Studio in Nederland
recording of:
Baby, What a Big Surprise (in 1977)
orchestrator:
Dominic Frontiere
lyricist and composer:
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
33:05
13Take Me Back to Chicago
assistant recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
synthesizer:
David “Hawk” Wolinski (in 1977)
background vocals:
Chaka Khan (in 1977)
brass arranger:
James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Caribou Ranch Recording Studio in Nederland and Sound Labs, Inc. in Hollywood (strings)
mixed at:
Caribou Ranch Recording Studio in Nederland
recording of:
Take Me Back to Chicago (in 1977)
lyricist:
Danny Seraphine and David “Hawk” Wolinski
composer:
Danny Seraphine (in 1977) and David “Hawk” Wolinski (in 1977)
publisher:
Balloon Head Music, Big Elk Music and Island Music Ltd.
5:15
14Prelude (Little One) / Little One6:36
15Gone Long Gone
engineer:
Jim Boyer (producer/engineer)
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
background vocals and lead vocals:
Peter Cetera (in 1978)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Gone Long Gone (from 1978-05 until 1978-06)
writer:
Peter Cetera (in 1978)
publisher:
Polish Prince Music (in 1978)
34:00
16No Tell Lover
engineer:
Jim Boyer (producer/engineer)
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978) and Warner Strategic Marketing (in 2003)
recording of:
No Tell Lover (from 1978-05 until 1978-06)
writer:
Peter Cetera (in 1978), Lee Loughnane (in 1978) and Danny Seraphine (in 1978)
publisher:
BMG Songs, Inc., COM Music (in 1978), Polish Prince Music (in 1978) and Street Sense Music (in 1978)
recording of:
No Tell Lover (in 1978)
writer:
Peter Cetera (in 1978), Lee Loughnane (in 1978) and Danny Seraphine (in 1978)
publisher:
BMG Songs, Inc., COM Music (in 1978), Polish Prince Music (in 1978) and Street Sense Music (in 1978)
33:50
17Alive Again
engineer:
Jim Boyer (producer/engineer)
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
edit of:
Alive Again by Chicago (American pop rock/jazz fusion band)
recording of:
Alive Again (from 1978-05 until 1978-06)
writer:
James Pankow (in 1978)
publisher:
Make Me Smile Music (in 1978)
33:30
18The Greatest Love on Earth
engineer:
Jim Boyer (producer/engineer)
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
background vocals:
Peter Cetera and Donnie Dacus
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
The Greatest Love on Earth (from 1978-05 until 1978-06)
writer:
Danny Seraphine and David “Hawk” Wolinski
publisher:
Street Sense Music (in 1978)
3:19
19Little Miss Lovin'
engineer:
Jim Boyer (producer/engineer)
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Little Miss Lovin’ (from 1978-05 until 1978-06)
writer:
Peter Cetera
publisher:
Polish Prince Music (in 1978)
4:36
20Hot Streets
engineer:
Jim Boyer (producer/engineer)
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Hot Streets (from 1978-05 until 1978-06)
writer:
Robert Lamm
publisher:
Little Sacha Songs (in 1978)
5:15
4CD: Chicago 13 - 18
#TitleRatingLength
1Street Player (single version)
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
percussion:
Airto Moreira (percussionist)
synthesizer:
David “Hawk” Wolinski
trumpet:
Maynard Ferguson
edit of:
Street Player (album version) by Chicago (American pop rock/jazz fusion band)
cover recording of:
Street Player
writer:
Danny Seraphine and David “Hawk” Wolinski
54:25
2Must Have Been Crazy
engineer:
Jim Boyer (producer/engineer)
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
lead vocals:
Donnie "Hot Licks" Dacus
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2003)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York
recording of:
Must Have Been Crazy
writer:
Donnie Dacus
3:24
3Manipulation
assistant engineer:
Ricky DeLena, Karat Faye and Bill Freesh
engineer:
Michael Carnévale (engineer)
producer:
Tom Dowd
recorded at and mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
recording of:
Manipulation
lyricist and composer:
Robert Lamm
publisher:
Little Sacha Songs (in 1980)
3:30
4Thunder and Lightning
assistant engineer:
Ricky DeLena, Karat Faye and Bill Freesh
engineer:
Michael Carnévale (engineer)
producer:
Tom Dowd
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2003)
recorded at and mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
recording of:
Thunder and Lightning (in 1980)
lyricist and composer:
Peter Cetera (in 1980) and Robert Lamm (in 1980)
writer:
Danny Seraphine (in 1980)
publisher:
BMG Songs, Inc. (in 1980), Little Sacha Songs (in 1980) and Street Sense Music (in 1980)
3:32
5Song for You
assistant engineer:
Ricky DeLena, Karat Faye and Bill Freesh
engineer:
Michael Carnévale (engineer)
producer:
Tom Dowd
lead vocals:
Peter Cetera (in 1980)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1980) and Rhino Entertainment Company (not for release label use!) (in 2003)
recorded at and mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
recording of:
Song for You (in 1980)
lyricist and composer:
Peter Cetera (in 1980)
publisher:
Double Virgo Music and BMG Songs, Inc. (in 1980)
3:42
6The American Dream
assistant engineer:
Ricky DeLena, Karat Faye and Bill Freesh
engineer:
Michael Carnévale (engineer)
producer:
Tom Dowd
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2003)
recorded at and mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
recording of:
The American Dream
lyricist and composer:
James Pankow
publisher:
Make Me Smile Music (in 1980)
3:18
7Love Me Tomorrow
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
strings arranger:
Jeremy Lubbock
recording of:
Love Me Tomorrow
writer:
Peter Cetera (in 1982) and David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Double Virgo Music, Foster Frees Music Inc., Irving Music, Inc. and Rondor Music (London) Ltd.
5:00
8Chains
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
recording of:
Chains
writer:
Ian Thomas (Canadian singer/songwriter)
publisher:
Mark-Cain Music
3:23
9What You're Missing (single version)
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
recording of:
What You’re Missing
writer:
Jay Gruska and Joseph Williams (vocalist for Toto, son of composer John Williams)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:31
10Hard to Say I'm Sorry / Get Away
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Jack Goudie, Lee Loughnane and Walter Parazaider
mixer:
Bill Schnee
strings arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Jeremy Lubbock
arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Danny Seraphine
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982, in 2010)
mixed at:
Studio 55 in Los Angeles
recording of:
Get Away
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Robert Lamm
publisher:
Double Virgo Music, Foster Frees Music Inc., Little Sacha Songs, Peermusic III, Ltd. (BMI), Primary Wave Lamm, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
Hard to Say I’m Sorry (Chicago song)
writer:
Peter Cetera (in 1982) and David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Double Virgo Music (in 1982) and Foster Frees Music Inc. (in 1982)
recording of:
Hard to Say I’m Sorry / Get Away
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Double Virgo Music, Foster Frees Music Inc. and Little Sacha Songs
medley of:
Hard to Say I’m Sorry (Chicago song)
medley of:
Get Away
55:06
11Stay the Night
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles
recording of:
Stay the Night (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Songs, Inc., Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
43:48
12We Can Stop the Hurtin'
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
background vocals:
Richard Marx and Donny Osmond
horn arranger:
James Pankow
recording of:
We Can Stop the Hurtin’
lyricist and composer:
J. Parker (written by credit)
publisher:
Cheeky Kid Music (in 1984), Fin de Siècle Musique (US work publisher) (in 1984) and JSH Music (in 1984)
4:11
13Hard Habit to Break
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
lead vocals:
Peter Cetera (in 1984) and Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
recorded at:
Sunset Sound in Hollywood (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles
recording of:
Hard Habit to Break (in 1984)
writer:
Steve Kipner (in 1984) and John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
44:44
14Along Comes a Woman (single version)
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 1985)
recording of:
Along Comes a Woman
writer:
Peter Cetera (in 1984) and Mark Goldenberg (in 1984)
publisher:
BMG Music Publishing Ltd., MCA Music Ltd., Double Virgo Music (in 1984), Fleedleedle Music (in 1984) and Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1984)
3:47
15You're the Inspiration
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles
recording of:
You’re the Inspiration (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
53:49
16Good for Nothing
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
recorded at and mixed at:
Lion Share Recording Studios in Los Angeles
recording of:
Good for Nothing
writer:
David Foster (Canadian music producer, arranger and composer), Robert Lamm and Richard Marx
3:38
17If She Would Have Been Faithful...
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Laura Livingston
lead vocals:
Jason Scheff (in 1986)
arranger:
David Foster (Canadian music producer, arranger and composer) and Steve Kipner
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986, in 2010)
mixed at:
Lion Share Recording Studios in Los Angeles
recording of:
If She Would Have Been Faithful... (in 1986)
writer:
Randy Goodrum (in 1986) and Steve Kipner (in 1986)
publisher:
Bocu Music Ltd., CBS Songs Ltd., MCA Music Ltd., April Music Inc. (in 1985), California Phase Music (in 1985) and Stephen A. Kipner Music (in 1985)
3:53
18Forever
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
recording of:
Forever
writer:
Bill Gable and Robert Lamm
publisher:
Island Music Ltd., Fin de Siècle Musique (US work publisher) (in 1986) and Idle Speculation Music (in 1986)
5:21
19Will You Still Love Me? (single version)
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Will You Still Love Me? (Chicago song) (in 1986)
writer:
Richard Baskin (in 1986), David Foster (Canadian music producer, arranger and composer) (in 1986) and Tom Keane (keyboards, of The Keane Brothers) (in 1986)
publisher:
Masonmack Music, MCA Music Ltd., Peermusic III, Ltd. (BMI), Songs of Universal, Inc. (BMI), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Air Bear Music (in 1986), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1986), Warm Springs Music (in 1986) and Young Millionaires Club Music (in 1986)
44:11
20Niagara Falls
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
recording of:
Niagara Falls
writer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) and Steve Kipner
publisher:
Bocu Music Ltd., CBS Songs Ltd., April Music Inc. (in 1985), Blackwood Music Inc. (1953-02-07–1987-12-30) (in 1985), Sin-Drome Music (in 1985) and Stephen A. Kipner Music (in 1985)
3:42
5CD: Chicago 19 - Heart Of, Vol. II
#TitleRatingLength
1Heart in Pieces
engineer:
Daren Chadwick, Gary McGachan and Chas Sandford
producer:
Chas Sandford
mixer:
James Guthrie, Chas Sandford and Greg Walsh (producer and engineer)
additional background vocals:
Tim Feehan
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recording of:
Heart in Pieces
writer:
Tim Feehan and Brian “Too Loud” MacLeod (Canadian musician, member of Headpins)
5:06
2Look Away
producer:
Ron Nevison
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988)
recording of:
Look Away (in 1988)
lyricist and composer:
Diane Warren (US songwriter) (in 1988)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
54:00
3What Kind of Man Would I Be?
engineer:
Daren Chadwick, Gary McGachan and Chas Sandford
producer:
Chas Sandford
mixer:
James Guthrie, Chas Sandford and Greg Walsh (producer and engineer)
lead vocals:
Jason Scheff
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recording of:
What Kind of Man Would I Be? (in 1988)
writer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) (in 1988), Chas Sandford (in 1988) and Jason Scheff (in 1988)
publisher:
Bobby Caldwell Music, EMI Blackwood Music Inc., EMI Songs Ltd., Fallwater Music, Jason Scheff Music, MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sin-Drome Music, Texascity Music, The Music Force, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
4:19
4I Don't Wanna Live Without Your Love
assistant engineer:
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe and Bob Vogt
engineer:
Daren Chadwick, Ron Nevison and Chas Sandford
producer:
Ron Nevison
mixer:
James Guthrie, Chas Sandford and Greg Walsh (producer and engineer)
lead vocals:
Bill Champlin (in 1988)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 2010)
recording of:
I Don't Wanna Live Without Your Love (in 1988)
writer:
Albert Hammond (in 1988) and Diane Warren (US songwriter) (in 1988)
publisher:
Albert Hammond Music, Realsongs and WB Music Corp. (1929–2019)
3:57
5We Can Last Forever
recording of:
We Can Last Forever
writer:
John Dexter (Songwriter, Producer and A&R executive) and Jason Scheff
publisher:
Irving Music, Inc., Jason Scheff Music and Texascity Music
3:46
6You're Not Alone (single version)
assistant engineer:
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe and Bob Vogt
engineer:
Daren Chadwick, Ron Nevison and Chas Sandford
producer:
Ron Nevison
mixer:
James Guthrie, Chas Sandford and Greg Walsh (producer and engineer)
lead vocals:
Bill Champlin (in 1988)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 1989, in 2010)
recording of:
You’re Not Alone (in 1988)
writer:
Jimmy Scott (British born songwriter) (in 1988)
publisher:
EMI Virgin Music, Inc.
3:59
7Hearts in Trouble (single version)4:02
8Only Time Can Heal the Wounded
assistant engineer:
Jim Mitchell (engineer) and Jeff Poe
engineer:
Ron Nevison and Alex Rodriguez (engineer)
producer:
Ron Nevison
mixer:
Humberto Gatica
brass arranger:
Jerry Hey
recording of:
Only Time Can Heal the Wounded
writer:
Gerard McMahon (English singer‐songwriter aka “Gerard McMann”) and Robert Lamm
publisher:
Geffen Again Music, Back Mac Music (in 1989) and Sutton Way Music (in 1989)
4:39
9You Come to My Senses
additional engineer:
Alex Rodriguez (engineer)
assistant engineer:
Jim Mitchell (engineer) and Jeff Poe
engineer and producer:
Ron Nevison
mixer:
Humberto Gatica
lead vocals:
Jason Scheff (in 1991)
brass arranger:
Lee Loughnane and James Pankow
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991, in 2010)
recording of:
You Come to My Senses (in 1991)
writer:
Tom Kelly (songwriter) (in 1991) and Billy Steinberg (in 1991)
publisher:
Billy Steinberg Music (in 1990) and Denise Barry Music (in 1990)
3:49
10God Save the Queen
assistant engineer:
Jim Mitchell (engineer) and Jeff Poe
engineer:
Ron Nevison and Alex Rodriguez (engineer)
producer:
Ron Nevison
mixer:
Humberto Gatica
recording of:
God Save the Queen
writer:
James Pankow and Jason Scheff
publisher:
Jason Scheff Music (in 1990) and Make Me Smile Music (in 1990)
4:20
11Chasin' the Wind
additional engineer:
Alex Rodriguez (engineer)
assistant engineer:
Jim Mitchell (engineer) and Jeff Poe
engineer and producer:
Ron Nevison
mixer:
Humberto Gatica
lead vocals:
Bill Champlin (in 1991)
brass arranger:
Lee Loughnane and James Pankow
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991, in 2010)
recording of:
Chasin' the Wind (in 1991)
writer:
Diane Warren (US songwriter) (in 1991)
publisher:
Realsongs (in 1990)
4:18
12All the Years
engineer:
Paul Ericksen (recording engineer)
producer:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Tom Lord‐Alge
guitar:
Dawayne Bailey (from 1992 until 1993)
remixer:
Paul Ericksen (recording engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2008)
recorded at:
The Embassy in North Hollywood (from 1992 until 1993)
mixed at:
Encore Recording Studios in Burbank
recording of:
All the Years
writer:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) and Robert Lamm
4:17
13Stone of Sisyphus
engineer:
Paul Ericksen (recording engineer)
producer:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Tom Lord‐Alge
recorded at:
The Embassy Recording Studio in Simi Valley (from 1992 until 1993)
recording of:
Stone of Sisyphus
writer:
Dawayne Bailey and Lee Loughnane
4:12
14Bigger Than Elvis
recorded in:
Nashville (from 1992 until 1993)
engineer:
Paul Ericksen (recording engineer)
producer:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Tom Lord‐Alge
guest bass:
Jerry Scheff (from 1992 until 1993)
guitar:
Dawayne Bailey (from 1992 until 1993)
guest background vocals:
Jordinaires (from 1992 until 1993)
remixer:
Paul Ericksen (recording engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2008)
recorded at:
The Embassy in North Hollywood (from 1992 until 1993)
mixed at:
Encore Recording Studios in Burbank
recording of:
Bigger Than Elvis
writer:
Jason Scheff, Ina Wolf and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
4:32
15Caravan
assistant engineer:
Delwyn Brooks and Robbes Steiglitz (engineer)
engineer:
Erwin Musper and Mike Plotnikoff
producer:
Bruce Fairbairn
mixer:
Erwin Musper
vocals:
Robert Lamm (from 1994-12 until 1995-01)
brass arranger:
James Pankow
arranger:
James Pankow
vocals arranger:
Bill Champlin
phonographic copyright (℗) by:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (in 1995)
cover recording of:
Caravan (from 1994-12 until 1995-01)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
3:24
16Here in My Heart
producer:
James Newton Howard (American score composer)
guitar:
Michael Landau
piano:
James Newton Howard (American score composer)
recorded at and mixed at:
Conway Recording Studios in Hollywood
recording of:
Here in My Heart
writer:
Glen Ballard and James Newton Howard (American score composer)
publisher:
Aerostation Corporation and Big Fig Music
4:15
17The Only One (single version)
producer:
Lenny Kravitz
vocals:
Lenny Kravitz
recorded at:
Goodnight LA Studios in Van Nuys and Sound City Studios in Van Nuys
mixed at:
Sound City Studios in Van Nuys
recording of:
The Only One
writer:
Greg O’Connor (songwriter/record producer) and James Pankow
publisher:
Sarajon Songs
4:39
18All Roads Lead to You
assistant engineer:
Eric Ferguson
engineer:
Ed Thacker
producer:
Roy Bittan
recorded at and mixed at:
A&M Studios in Hollywood
recording of:
All Roads Lead to You
writer:
Marc Beeson and Desmond Child
publisher:
Desmobile Music Co. and EMI April Music Inc.
4:18
19Show Me a Sign
assistant engineer:
Eric Ferguson
engineer:
Ed Thacker
producer:
Roy Bittan
recorded at and mixed at:
A&M Studios in Hollywood
recording of:
Show Me a Sign
writer:
Greg O’Connor (songwriter/record producer) and James Pankow
publisher:
Music By Greg and Sarajon Songs
3:35
6DVD-Video: Special Archival Bonus DVD

Credits

Release

manufactured in:United States
printed in:United States