The Box

~ Release by Chicago (see all versions of this release, 2 available)

Tracklist

1CD: CTA - Chicago
2CD: Chicago III - VII
3CD: Chicago VIII - Hot Streets
4CD: Chicago 13 - 18
#TitleRatingLength
1Street Player (single version)
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
percussion:
Airto Moreira (percussionist)
synthesizer:
David “Hawk” Wolinski
trumpet:
Maynard Ferguson
edit of:
Street Player (album version) by Chicago (American pop rock/jazz fusion band)
cover recording of:
Street Player
writer:
Danny Seraphine and David “Hawk” Wolinski
54:25
2Must Have Been Crazy
engineer:
Jim Boyer (producer/engineer)
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
lead vocals:
Donnie "Hot Licks" Dacus
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2003)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York
recording of:
Must Have Been Crazy
writer:
Donnie Dacus
3:24
3Manipulation
assistant engineer:
Ricky DeLena, Karat Faye and Bill Freesh
engineer:
Michael Carnévale (engineer)
producer:
Tom Dowd
recorded at and mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
recording of:
Manipulation
lyricist and composer:
Robert Lamm
publisher:
Little Sacha Songs (in 1980)
3:30
4Thunder and Lightning
assistant engineer:
Ricky DeLena, Karat Faye and Bill Freesh
engineer:
Michael Carnévale (engineer)
producer:
Tom Dowd
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2003)
recorded at and mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
recording of:
Thunder and Lightning (in 1980)
lyricist and composer:
Peter Cetera (in 1980) and Robert Lamm (in 1980)
writer:
Danny Seraphine (in 1980)
publisher:
BMG Songs, Inc. (in 1980), Little Sacha Songs (in 1980) and Street Sense Music (in 1980)
3:32
5Song for You
assistant engineer:
Ricky DeLena, Karat Faye and Bill Freesh
engineer:
Michael Carnévale (engineer)
producer:
Tom Dowd
lead vocals:
Peter Cetera (in 1980)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1980) and Rhino Entertainment Company (not for release label use!) (in 2003)
recorded at and mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
recording of:
Song for You (in 1980)
lyricist and composer:
Peter Cetera (in 1980)
publisher:
Double Virgo Music and BMG Songs, Inc. (in 1980)
3:42
6The American Dream
assistant engineer:
Ricky DeLena, Karat Faye and Bill Freesh
engineer:
Michael Carnévale (engineer)
producer:
Tom Dowd
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2003)
recorded at and mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
recording of:
The American Dream
lyricist and composer:
James Pankow
publisher:
Make Me Smile Music (in 1980)
3:18
7Love Me Tomorrow
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
strings arranger:
Jeremy Lubbock
recording of:
Love Me Tomorrow
writer:
Peter Cetera (in 1982) and David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Double Virgo Music, Foster Frees Music Inc., Irving Music, Inc. and Rondor Music (London) Ltd.
5:00
8Chains
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
recording of:
Chains
writer:
Ian Thomas (Canadian singer/songwriter)
publisher:
Mark-Cain Music
3:23
9What You're Missing (single version)
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
recording of:
What You’re Missing
writer:
Jay Gruska and Joseph Williams (vocalist for Toto, son of composer John Williams)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:31
10Hard to Say I'm Sorry / Get Away
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Jack Goudie, Lee Loughnane and Walter Parazaider
mixer:
Bill Schnee
strings arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Jeremy Lubbock
arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Danny Seraphine
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982, in 2010)
mixed at:
Studio 55 in Los Angeles
recording of:
Get Away
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Robert Lamm
publisher:
Double Virgo Music, Foster Frees Music Inc., Little Sacha Songs, Peermusic III, Ltd. (BMI), Primary Wave Lamm, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
Hard to Say I’m Sorry (Chicago song)
writer:
Peter Cetera (in 1982) and David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Double Virgo Music (in 1982) and Foster Frees Music Inc. (in 1982)
recording of:
Hard to Say I’m Sorry / Get Away
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Double Virgo Music, Foster Frees Music Inc. and Little Sacha Songs
medley of:
Hard to Say I’m Sorry (Chicago song)
medley of:
Get Away
55:06
11Stay the Night
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles
recording of:
Stay the Night (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Songs, Inc., Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
43:48
12We Can Stop the Hurtin'
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
background vocals:
Richard Marx and Donny Osmond
horn arranger:
James Pankow
recording of:
We Can Stop the Hurtin’
lyricist and composer:
J. Parker (written by credit)
publisher:
Cheeky Kid Music (in 1984), Fin de Siècle Musique (US work publisher) (in 1984) and JSH Music (in 1984)
4:11
13Hard Habit to Break
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
lead vocals:
Peter Cetera (in 1984) and Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
recorded at:
Sunset Sound in Hollywood (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles
recording of:
Hard Habit to Break (in 1984)
writer:
Steve Kipner (in 1984) and John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
44:44
14Along Comes a Woman (single version)
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 1985)
recording of:
Along Comes a Woman
writer:
Peter Cetera (in 1984) and Mark Goldenberg (in 1984)
publisher:
BMG Music Publishing Ltd., MCA Music Ltd., Double Virgo Music (in 1984), Fleedleedle Music (in 1984) and Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1984)
3:47
15You're the Inspiration
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles
recording of:
You’re the Inspiration (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
53:49
16Good for Nothing
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
recorded at and mixed at:
Lion Share Recording Studios in Los Angeles
recording of:
Good for Nothing
writer:
David Foster (Canadian music producer, arranger and composer), Robert Lamm and Richard Marx
3:38
17If She Would Have Been Faithful...
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Laura Livingston
lead vocals:
Jason Scheff (in 1986)
arranger:
David Foster (Canadian music producer, arranger and composer) and Steve Kipner
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986, in 2010)
mixed at:
Lion Share Recording Studios in Los Angeles
recording of:
If She Would Have Been Faithful... (in 1986)
writer:
Randy Goodrum (in 1986) and Steve Kipner (in 1986)
publisher:
Bocu Music Ltd., CBS Songs Ltd., MCA Music Ltd., April Music Inc. (in 1985), California Phase Music (in 1985) and Stephen A. Kipner Music (in 1985)
3:53
18Forever
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
recording of:
Forever
writer:
Bill Gable and Robert Lamm
publisher:
Island Music Ltd., Fin de Siècle Musique (US work publisher) (in 1986) and Idle Speculation Music (in 1986)
5:21
19Will You Still Love Me? (single version)
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Will You Still Love Me? (Chicago song) (in 1986)
writer:
Richard Baskin (in 1986), David Foster (Canadian music producer, arranger and composer) (in 1986) and Tom Keane (keyboards, of The Keane Brothers) (in 1986)
publisher:
Masonmack Music, MCA Music Ltd., Peermusic III, Ltd. (BMI), Songs of Universal, Inc. (BMI), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Air Bear Music (in 1986), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1986), Warm Springs Music (in 1986) and Young Millionaires Club Music (in 1986)
44:11
20Niagara Falls
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
recording of:
Niagara Falls
writer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) and Steve Kipner
publisher:
Bocu Music Ltd., CBS Songs Ltd., April Music Inc. (in 1985), Blackwood Music Inc. (1953-02-07–1987-12-30) (in 1985), Sin-Drome Music (in 1985) and Stephen A. Kipner Music (in 1985)
3:42
5CD: Chicago 19 - Heart Of, Vol. II
6DVD-Video: Special Archival Bonus DVD

Credits

Release

manufactured in:United States
printed in:United States